MANUSCRIPT

A nice piece of London ephemera, the subject being Rotten Row, which runs along the south side of Hyde Park. 2pp, 4to. On wove paper with watermark ‘J WILMOT / 1823’. Forty-one lines of text. Having been torn in two vertically (presumably by the irate recipient) the item has been repaired in an unusual way: with the two pieces sewn back together from top to bottom. Otherwise in fair condition, lightly aged and creased, with slight loss to one edge from breaking of seal or wafer. Folded for postage.

From the Williamson family papers. See his entry in the Oxford DNB. The material is in fair condition, lightly aged and creased. In a card folder on which is written by Williamson’s son Richard ‘PLANS for House for Ox’s Cross - DENNIS (builder) 1973 / Plans of Cottage. / See Schwabe’s original plans.’ ONE: Typed Letter Signed from A. J. Dennis to Williamson at 4 Capstone Place, Ilfracombe. 2pp, 4to. Headed in brown felt-tip ‘Copy’, but certainly with Dennis’s genuine signature. Much of the text underlined in red felt-tip.

See the entries on the two men in the Oxford DNB. Above the half-title, in a large untidy hand Picton has made the ownership signature ‘Lieutenant General Sir Th Picton’, and there is the same signature by him in a much smaller hand above the illustration at the head of p.1. Facing the half-title, on the reverse of the front free endpaper, is the elaborate armorial bookplate of ‘Field Marshal Viscount Wolseley / of Wolseley County of Stafford / Baron Wolseley of Cairo’.

From the Macqueen-Pope papers. His entry in the Oxford DNB describes how, in the 1950s, he was ‘in demand as a lecturer on the theatrical subjects he loved, and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment, and television in particular, as representing a serious threat to the survival of theatre, about which he cared passionately’.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items, in fair overall condition, on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these (1p, landscape 8vo) he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this, and the speed with which you tackled it for me.

From the Macqueen-Pope papers. See his entry, and that of Power, in the Oxford DNB. The seven items are in good condition, lightly aged and worn. ONE: Typed article titled ‘The Other Tyrone Power / by / W. Macqueen-Pope.’ Undated. 11pp, 4to, paginated 1-9, with two-page ‘Inset’. With a few minor autograph emendations. Begins: ‘At the present moment, Mr Tyrone Power, “in person”, is appearing at the London Coliseum in a play called “Mr Roberts”.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The seven items are in good condition, though one of Denham’s letters has slight wear to one edge. All date from the same period. The four Denham letters total 5pp, foolscap 8vo; three are signed ‘Reg’ and the other ‘Reginald’; two are on his letterhead. The fully-dated Denham letter (8 June 1951) is the longest at 2pp, 8vo. Addressed to ‘My dear Mac’, he gives details of a visit he is paying to England to settle his late mother’s affairs (‘She was 83.’) He is also going to ‘confer with Edward Percy.

From the Macqueen-Pope papers. (See his entry, and those of Foyle and Mackenzie, in the Oxford DNB.) Apart from damage and rust staining from paperclips, the seven items are in good condition. The correspondence mainly concerns a Foyles Literary Lunch for Macqueen-Pope, which Mackenzie was unable to chair because of an attack of bronchitis. All items 1p, 8vo. Mackenzie’s two letters signed ‘Compton Mackenzie’ and Foyle’s signed ‘Christina Foyle’. ONE: Foyle to MP, 26 February 1951. She is forwarding a letter from Mackenzie.

See his entry in the Oxford DNB. 1p, 4to. Signed (‘With reiterated thanks’) ‘Gerald du Maurier’, with ‘President’ typed beneath. The letterhead is printed in black and green, with details of officers and committee members. On aged and creased paper, with closed tears and nicks to edges. Folded three times for postage. He asks him to accept his ‘most grateful thanks for your splendid efforts at the Garden Party’. He understands the ‘new show’ which Arlton ‘put in this year’ has proved ‘very popular’.

See his entry in the Oxford DNB. Colour Kodac print on matte paper: 3 and 3/8 x 5 inches (8.5 x 12.5 cm). In good condition, with light indentation of paperclip at head. A smiling elderly Hunt stands, with plaid shirt and hands in pockets of brown trousers, looking to his right, in front of a range of mountains. On the reverse is stuck a label signed ‘John Hunt’. See images.

From the papers of theatre historian Walter James Macqueen-Pope (1888-1960). (See his entry in the Oxford DNB.) The three items are in fair condition, lightly aged and worn. Her two letters are pinned together. The letter to Kerby has the large and firm signature ‘Suzette Tarri’; the letter to Horsfield is evidently signed ‘Suzette Terri’ on her behalf by her husband. ONE (ST to P. W. Kerby): 23 January 1944. Letterhead of ‘“Suda” / 25 Manor Drive, Southgate, N. 14’ (‘SUZETTE TARRI / RADIO COMEDIENNE / WITH / DAVID JENKINS / THE POPULAR PIANIST-VOCALIST’). 1p, 4to.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, 4to. Signed ‘Michel Kovatchévitch’. On aged and worn paper. Folded twice for postage, with closed tears at edges of vertical fold, and nicks and creasing along one edge. He is working on a biography of Frederick Aldridge, ‘tragédien noir de langue anglaise (1807-1867)’, and asks for help in establishing the date of his debut, ‘dans le rôle d’Othello, au Royalty Theatre’.

In 1809, at the Battle of Aspern, the author of this work, the Archduke Charles, became the first man to defeat Napoleon Bonaparte. In 1814 his ‘Grundsätze der Strategie, erläutert durch die Darstellung des Feldzuges von 1796 in Deutschland’ was published in three volumes in Vienna. A French translation appeared in 1841, but there is no record of an English one (although JISC does throw up a work with a similar title published by ‘A Kearsey’ in 1928, the only copy it lists being in the National Army Museum).

From the Macqueen-Pope papers. See his entry, and that of Brooke, in the Oxford DNB. The five items are in good condition, lightly aged and worn. ONE: Carbon of Typed Article titled ‘London Was Unlucky to Him / The Story of Gustavus Brooke, The Tragic Tragedian’. 11pp, 4to, on eleven leaves. Begins: There is nothing so ephemeral as the art of the actor. Very very few of the names live on. Yet there are some, who in their day were of the first magnitude and are now forgotten, save for the delving historian.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 12mo. Signed ‘Leslie C Staples’. In fair condition, lightly aged, with some creasing to corners. Folded twice for postage. Presumably written following a meeting of the Fellowship at Drury Lane, where MP was press officer. ‘My dear Popie / I cannot say how grateful we all are for the truly wonderful afternoon you gave us yesterday. A million thanks’.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. MP is not named as the author, but there is no doubt that he is. Item one has corrections in his hand. Both versions are simply titled ‘Will Fyffe’. The two versions exhibit a number of differences from one another. It is not clear where the obituary was published, but it was probably the London magazine ‘Everybody’s’, for which MP contributed a weekly column. ONE: 4pp, 4to, double-spaced, on four leaves.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged and folded for postage. Addressed to ‘My dear Popie’ and signed ‘Yours / Clarke’ [sic]. In the previous year CR had published his autobiography ‘With a Twinkle in my Eye’, and he is now looking for an ‘opinion’ from MP that he can use for publicity purposes.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Three items: a page with a quotation from Dickens, and list of characters in MP’s autograph; and two copies of the speech. Text entirely legible throughout, but on worn and creased paper MP is not named as the author, but the item is undoubtedly his work: one of the two copies has autograph emendations in pencil. ONE: Typed Notes for ‘Dickens Fellowship Speech’. 2pp, 4to. Begins: ‘Comment on previous speaker’s points. / Dickens the great Englishman - more than that the great man of the Middle Classes.

See the two men’s entries in the Oxford DNB. From the Macqueen-Pope papers. Each item in good condition, lightly aged, with creasing and rust staining to one corner from a paperclip. ONE: Swaffer to MP. TLS, signed ‘Swaff’. 1p, 4to. ‘Dear Popey, / Do you know anything about this woman? [From the context he is sending MP an enquiry he has received from ‘Mr. Le Poer Trench’] I presume she was a legitimate actress.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) On 20 October 1922 Millais broadcast on 2LO radio, becoming the first comedian on what was later to become the BBC. In a performance on 21 November 1922 she became the third entertainer to appear on the week-old BBC. All three items in good condition, lightly aged, though the autograph letter has pin holes to a corner, and the typed letter rust from a paperclip. Both letters signed ‘Helena Millais’. ONE: TLS. 3pp, 12mo. Having met him ‘at various C.A.A. evenings, she asks him for advice about several books.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) A nice piece of theatre and photographic ephemera. Vickers has five items in the National Portrait Gallery, which provides the following information: ‘John Vickers began his career by working as assistant to photographer Angus McBean in the 1930s. From 1939 until the time of his death, he ran his own studio. After the war he became well known as a theatre photographer working for theatres including the Old Vic.

See the two men’s obituaries in The Times. 1p, 12mo. With thin mourning border. On aged and creased paper, with nicks and closed tears to edges, and slight loss at one corner. Folded twice. He is enclosing a programme for ‘Foundations of Music / Tuesday, March 26th’, ‘in which you are taking part’. He gives the time for ‘The rehearsal and balance test’. ‘Both transmission and rehearsal at Broadcasting House.’

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The Clan Chattan Association is a confederation of highland clans. 2pp, 4to. In fair condition, lightly aged, with slight creasing to one corner, and rust staining from paperclip. Folded twice for postage. Addressed to MP’s London address in Coventry Street. ‘I’ve heard about your James MacQueen. His name appears in quite a few locally published papers &c. on Culloden. His new teeth are quite famous up here.’ He accepts the proposal for an article: ‘if you could go to 900-1000 words I’d be happy’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Both items in fair condition, lightly aged and creased. Pinned together. ONE: DM to MP. Signed ‘Mollie and Donovan Maule. / (Mollie Shiells)’, but the husband is clearly the author. 1p, 4to. Folded twice for postage. He thanks him for his ‘inspiring book’ on the Haymarket Theatre. ‘My wife and I (both ex-Haymarket artists) feel inseminated ith fresh optimism and jope while battling with the municipal authorities and Kenya Government to establish the first professional theatre ever known here.

From the Macqueen-Pope papers. (See his entry and that of her father in the Oxford DNB.) 6pp, the first four on two 4to leaves, the last two on a 12mo leaf. Signed ‘E. Winnie Parsons / nee / Winnie Burnand’. In fair condition, lightly aged and with some creasing, particularly to the last (12mo) leaf. Slight rust staining from paperclip. A delightful letter, written in a strong and energetic hand, with various words underlined in red pencil for emphasis. She is staying with Desmond Lysart, ‘who in his lovely study has all your delightful books’, and they are both great admirers of MP.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Letter: 1p, 4to. On cream paper. In good condition, lightly aged and creased. Folded twice for postage. The letterhead, headed ‘”The Meaning of Versatility” / Fred Lewis / Creating a good impression.’, has an illustration of a series of footprints up the left margin, some with faces in them, and such slogans as ‘Mirthful Medleys’ and ‘Brilliant Burlesque’. The feet creating these ‘impressions’ are disappearing at the head of the page.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, foolscap 8vo. In fair condition, lightly-aged, with creasing at head, which is annotated by MP ‘(author)’. After thanking him for his letter he writes: ‘It is fatal to have a book published without seeing a proof. In my “G[ilbert] & S[ullivan] Dictionary” I had occasion to mention “The Yeomen of the Guard” 14 times. The comp[ositor], aided by the reader, deliberately channged them to “Yeoman”.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The subject of MP’s article is the press agent and publicist Guido Orlando who came to the United States from Italy with his family in 1917. (MP may have come into contact with Orlando in his own position as press agent for Drury Lane and other theatres.) He was most active in Hollywood from the 1930s to 1960s. His papers are in the Academy of Motion Picture Arts and Sciences Margaret Herrick Library.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 16mo. Signed ‘Bill Owen’. In fair condition, lightly aged and creased. Hailing him as ‘the greatest living authority on British Theatre’, he asks for advice. ‘My job is acting, and it has always been an ambition of mine to portray the life of Dan Leno, either on film or TV.