LONDON

Five items relating to the appointment of Special Constables, 'in consequence of the unsettled state of the Metropolis', including a signed warrant appointing Cater a Special Constable, as 'a tumult or riot may be reasonably apprehended'.

Author: 
William Charles Cater, hatter, 56 Pall Mall, London [Parish of St James, Westminster; Riot Act; Chartism; Chartists; 1848]
Publication details: 
The five items produced between March and June 1848. One of them printed by T. Brettell, Rupert Street, Haymarket.
£350.00

A collection of items indicating the panic felt by the bourgeoisie around the time of the Great Chartism Meeting on Kennington Common, 10 April 1848. Items Two to Five are laid down on a piece of grey paper removed from a scrapbook. Item One: Printed warrant signed by two magistrates, appointing Cater a Special Constable, it appearing, 'upon the oath of a credible witness, that a tumult or riot may be reasonably apprehended'. On one side of a piece of laid paper roughly 320 x 210 mm. Watermarked 'W H FELLOWS 1847'.

Five hand-coloured prints of French actors performing in French and Italian plays at the Comédie Française in the eighteenth century.

Author: 
Robert Sayer of Fleet Street, London printseller [theatrical prints; Comédie Française; Bellecour; Marie Favart, Trial, Clerval; Laurette]
Publication details: 
All five prints 'Publish'd by Robt. Sayer, No. 53 Fleet Street London, as the Act directs, 1st. Septr. 1772.'
£200.00

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

Coloured lithographic dioramic print, captioned 'Dawson's Diorama No. 4. The British Queen, a first rate Steem [sic] Ship, which on holding it up to the light changes to her Magesty [sic] Queen Victoria, attired in her Robes of State.'

Author: 
T. Dawson, London printseller [Queen Victoria; SS British Queen; diorama; dioramic print; optical illusion; naval and maritime]
Publication details: 
Undated, but between 1839 and 1844. 'London: Published by T. Dawson, 29, Bedeord [sic, for 'Bedford'] St. Covent Garden.'
£300.00

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

Coloured lithographic dioramic print, captioned 'Dawson's Diorama No. 1. The Emperor Napoleon in Captivity at Elba, changing to his reception by the Army whom he walked up to with these words "If there be among you a Soldier [...] Here I am!'

Author: 
T. Dawson, London printseller [Napoleon Bonaparte; diorama; dioramic print]
Publication details: 
Undated [circa 1838]. 'London: Published by T. Dawson, 29, Bedford St. Covent Garden.'
£300.00

The caption ends '[...] a Soldier who desires to kill his General let him do it now. Here I am!' Dimensions of print roughly 13 x 17 cm. On original grey paper windowpane mount (22 x 27.5 cm). Engraved label (4 x 12.5 cm) beneath the print, with small remarque-style illustrations. Aged and spotted, with slight wear to the print. An unusual and attractive piece of Napoleonic iconography, a full-length image of the deposed Emperor of the French, characteristically attired, on a beach with his hand on a rock, looking out to a sunset at sea.

Coloured lithographic dioramic print, captioned 'Morgan's Improved Transformations. The Royal Magic Pear. This Print upon holding before the Light will undergo an entire change and will present [...] the Portraits of the Royal Bride and Bridegroom.'

Author: 
William Morgan, printseller [the Marriage of Queen Victoria and Prince Albert, 1840; diorama; dioramic print]
Publication details: 
London. Published by Wm Morgan, 68, Upper Harrison St. Grays Inn Rd. 15th. Feby. 1840.'
£300.00

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style Dimensions of print roughly 20 x 14.5 cm. On original grey paper windowpane mount (34 x 24 cm). Engraved label (5 x 19 cm) beneath the print. Worn and discoloured. An usual and attractive item, with a simple picture of a pear which transforms into a portrait of the royal couple, under drapes, when held up to the light.

Original watercolour illustration, with measurements, captioned 'Drill Motions', and docketed 'Drill Motions at Bunhill Fields'.

Author: 
[the Honourable Artillery Company; Bunhill Fields; the City of London; military drill manual; the British Army]
Publication details: 
Anonymous and undated. [Circa 1810?]
£200.00

On one side of a piece of wove paper roughly 28.5 x 24 cm. On aged, somewhat grubby paper, with 6 cm closed tear repaired with tape on reverse. Full-length diagrammatic depiction of a British army officer in uniform of the Napoleonic period (black boots with spurs, tight white breeches, green jacket with yellow trim and black hat with red plume), holding his sword horizontally in front of his face. A set of thirteen numbered angles are projected from the tip of the blade, some bracketed 'all these are strait in Front'. Others are described as 'flat'.

Illustrated handbill poem, a street ballad entitled 'A New Song, entitled, Dear Peggy.'

Author: 
[Victorian London street ballad; broadsheet; handbill; death]
Publication details: 
Date and publisher not stated. [London; circa 1840?]
£38.00

Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted, aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner, causing loss to small illustration at head, which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy, read this letter, | its the last one I'll send, | Our long correspondence, | is now at an end.

Seven-page advertisement, written by Cobbett, and headed 'This Day is published, Cobbett's Annual Register, Vol. I. From January to June, 1802.'

Author: 
William Cobbett [Cox, Son, and Baylis, Great Queen Street]
Publication details: 
Dated 'Pall Mall. | October 11th, 1802. } W. COBBETT.' ['Printed by Cox, Son, and Baylis, Great Queen Street.']
£100.00

8vo: 8 pp. Unbound. Stabbed as issued. Very good, on rough-edged wove paper. The seven-page advertisement, signed in type by Cobbett, is succeeded by a page headed 'New Books, published by COBBETT and MORGAN'. (Eight titles are listed.) The advertisement is a personal address from Cobbett, the second paragraph casting valuable light on his motives and intentions: 'When I first undertook the Register, I was fully persuaded, that the plan, which, indeed, I had long thought of, was well calculated to ensure a wide circulation, and to produce an extensive as well as a lasting effect.

Illustrated poem, a street ballad entitled 'The Wheel of Fortune'.

Author: 
[Victorian street ballad; broadsheet; handbill; death; nineteenth-century folk song]
Publication details: 
Date [circa 1840?] and publisher not stated.
£56.00

On one side of a piece of thin wove paper, roughly 260 x 95 mm. Aged and creased, with internal 25 mm closed tear affecting four words of text (all of which can be completed from the context) repaired on blank reverse with archival tape. Otherwise text and illustration clear and entire. Small (30 x 40 mm) woodcut at head, showing two early nineteenth-century country coves outside a cottage. The poem consists of ten four-line stanzas.

Illustrated Victorian handbill poem, a street ballad entitled 'The Golden Glove.'

Author: 
[Victorian street ballad; handbill poem; street ballad; broadsheet; nineteenth-century folk song]
Publication details: 
Publisher and date not stated. [Circa 1840?]
£56.00

Printed on one side of a piece of wove paper roughly 280 x 95 mm. Aged, creased and spotted, with chipping to extremities, but with text and illustration clear and entire. Curious small (roughly 40 x 65 mm) crude illustration at head, showing dove with olive branch and acorn. Forty-line poem arranged in five stanzas. Interestingly-garbled nineteenth-century folk song with ancient antecedents.

Trade Catalogue giving numerous specimens of the firm's work. With pricelist.

Author: 
The City Rubber Stamp Co. ('Established 1878'), Snow Hill Buildings, Holborn Viaduct, London [Victorian Trade Catalogue]
Publication details: 
London: The City Rubber Stamp Co., Snow Hill Buildings, Holborn Viaduct, E.C. No date. [Circa 1890?]
£85.00

8vo (dimensions of leaf roughly 265 x 180 mm): twenty-four unpaginated pages on twelve leaves, with four pages in a bifolium inserted, and a price list printed on one side of a loose leaf. Unbound. Stitched as issued. Good, clean and tight, on lightly-aged paper with a little spotting to the outside pages.

Official Programme of the State Procession of the Coronation of Her Majesty Queen Victoria.

Author: 
The Coronation of Queen Victoria, 1838 [Sir Henry Dryden of Canons Ashby]
Publication details: 
[1838] 'London: Printed by W. MARSHALL, 24, Tavistock-street, Covent-Garden; Removed from 1, Holborn Bars Printed by E. ELLIOT, 14, Holywell-street, Strand.'
£500.00

On a piece of yellow wove paper roughly 565 x 455 mm. Text and illustrations clear and entire on creased and spotted paper with some wear to extremities. The order of the procession is given in three columns, divided by decorative rules. At the foot is an illustration (120 x 195 mm) of the queen's coach reaching Westminster Abbey, with crowds and a banner reading 'LONG LIVE VICTORIA'.

Folio sheet of statistics, by 'G. Hervey, General Inspector', headed 'Eastern District. Return shewing the Total Number of Vagrants relieved during Years ended 31st December mentioned below [i.e. 1902 to 1909].'

Author: 
G. Hervey, General Inspector [Edwardian poverty; vagrancy; workhouses; poor law]
Publication details: 
Dated at foot '6/10. [June 1910] D & S.' Covers the English counties ('County and Union') Cambridgeshire, Norfolk, Suffolk and Essex.
£120.00

Printed on one side of a sheet roughly 395 x 250 mm. Good, on lightly aged and creased paper. Text clear and entire. At foot: '(16611-21.) Wt. 6705-99. 325. 6/10. D & S.' Fifty-two entries, beginning with 'Cambridgeshire, Wisbech', each with columns for the years 1902 to 1909 of 'Numbers of Casuals relieved in the Workhouse', and with a final column headed 'Two Nights' Detention System enforced or not.' Totals given for each county, and a final 'Total of the District'.

Articles of Constitution, Adopted at a Meeting held in London, 9th May, 1899.

Author: 
The British Australasian Society
Publication details: 
[1899]
£35.00

12mo bifolium: 3 pp, with reverse of second leaf blank. Unbound. Good, on lightly aged and spotted paper. Names the officers on p.1, and gives the nine articles of consitution on pp.2 and 3. Small circular red stamp of the Webster Collection (no. 4156) in bottom right-hand corner of reverse of second leaf. No copy listed on COPAC.

Printed consolidated statement, with manuscript additions, by the clerks of the City of London Coal Market, of the exact quantities of coal imported and delivered, headed 'No. 39. Coal Market, Wednesday, March 31, 1830'.

Author: 
J. Butcher, B. Wood, J. Pearsall, Clerks of the City of London Coal Market [Charles Skipper, Printer & Stationer, St. Dunstan's Hill, London]
Publication details: 
[Dated in manuscript 'April 25 1830'.] 'Charles Skipper, Printer & Stationer, St. Dunstan's Hill.'
£85.00

On one side of a piece of wove paper roughly 275 x 230 mm. Printed and manuscript text clear and entirely legible on worn, creased and grubby paper with one small strip of paper repairing reverse. Crest of City of London at head. Two sets of four columns, side by side. The four columns are: 'Ships at Market', 'QUALITY', 'Ships sold' and 'PRICE'. The whole of the 'QUALITY' column in the first set is headed 'NEWCASTLE', containing 45 entries from 'Adair's' to 'Walls End Walker'.

Handcoloured engraving, 'Etched by W Heath', 'From a Sketch by Paul <Sevinre?>', of 'Alexander Emperor of Russia'.

Author: 
William Heath, engraver; Richard Lambe, printseller, Gracechurch Street, London [Alexander I, Emperor of Russia]
Publication details: 
Undated [circa 1814?]. 'Published by R. Lambe, Gracechurch Street.'
£250.00

305 mm high and 225 mm wide. The print has been trimmed, with the top corners cut away to give the print the appearance of an arched window. A strip, 35 mm high, at the foot contains the caption, with the bottom right-hand corner damaged (not affecting print) by removal from backing. A good crisp impression, on lightly-aged paper, the only faults being loss to the sky above the Emperor as a result of the trimming of the top corners, and a couple of spots of glue to the sky.

Allegorical coloured engraved 'Hieroglyphic Portrait' of Napoleon Bonaparte, 'faithfully copied from a German Print', with explanatory letterpress beginning 'NAPOLEON | THE FIRST, and LAST, by the Wrath of Heaven Emperor of the Jacobins, [...]

Author: 
Rudolph Ackermann, publisher, Repository of the Arts, 101 Strand [Napoleon Bonaparte; Regency caricature; Georgian London]
Publication details: 
Pubd. by R. Ackermann, 101 Strand, London.' Undated [dated by George to March 1814].
£400.00

BM 12202. On piece of wove paper roughly 410 x 280 mm. On lightly aged and spotted paper, with slight wear and small closed tears to extremities. Closely trimmed at head and foot. Repair to blank reverse, which carries a strip of cloth from previous mount. Text and image clear and entire. Image roughly 190 x 120 cm.

Illustrated chromolithographic printing proof of 'CALENDAR 1878 | ENGLISH & FOREIGN WATCHES & CLOCKS | A CHOICE SELECTION OF JEWELLERY'.

Author: 
Victorian colour printing [nineteenth century illustration; chromolithography; lithographic Calendar 1878]
Publication details: 
[1877. British.]
£65.00

Printed on one side of a piece of stiff art paper (shiny on printed side, matt on reverse), dimensions roughly 245 x 160 mm). Very good. The name of the firm is not stated, and dabs of colour in 3 mm margins as printing guide. Attractive and characteristic illustration, in eight (?) colours: dark brown, beige, green, red, pink, yellow, dark and light blue, showing a carriage clock surrounded by plate, jewellery (including a goblet, a fan, a pearl necklace, a fob watch, decanters) and a profusion of flowers. The calendar in twelve tiny squares, six at the head at six at the foot.

Cruikshank's Autograph Signature ('Geoe Cruikshank') on a slip of paper cut from the minutes of meetings of a 'Society'.

Author: 
George Cruikshank (1792-1878), English engraver, illustrator and caricaturist
Publication details: 
01/06/27
£95.00

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

The Betting-Book. By George Cruikshank. With Cuts.

Author: 
George Cruikshank [Victorian London; gambling; betting]
Publication details: 
London: W. & F. G. Cash, 5, Bishopsgate Street Without; [successors to Charles Gilpin.] And sold by W. Tweedie, 337, Strand; George Gallie, Glasgow; and all booksellers. 1852.
£350.00

8vo: 32 pp. Stitched. In original grey wraps. Text, four illustrations and map clear and entire. Printed on discoloured high-acidity paper. Lightly creased with a little wear to corners. Scarce. An attack on 'the Betting-offices that are springing up all over the town', with particular reference to those in the St Martin's Lane area. COPAC only lists four copies: at the British Library, Bodleian, Cambridge and Edinburgh; with two copies of the second edition: British Library and V & A National Art Library.

Galley proofs of an article in the London Magazine, entitled 'Conversation with Lawrence'; with a Typed Letter Signed by Lawrence's biographer Edward Nehls, and covering letter by Barbara Cooper, assistant editor, London Magazine.

Author: 
Brigit Patmore (1882-1965) [D. H. Lawrence; the London Magazine; Barbara Cooper; Edward Nehls]
Publication details: 
Proofs of an article appeared in the London Magazine for June 1957. Nehls's Letter: 7 June 1957; Urbana, Illinois. Cooper's Letter: 18 June 1957; on letterhead of the London Magazine.
£100.00

The proofs are on one side each of five strips (each approximately 60 x 15.5 cm) of discoloured high-acidity paper. They are in good condition, with a little light creasing, and slight chipping at head of first strip (not affecting text). They are headed 'GALLEY ONE [TWO, THREE, FOUR, EIGHT]'. Text clear and entire. The article reads continuously, with no hiatus between Galleys Four and Eight. Some simple errors indicate that these are early proofs, i.e.

Typed Letter Signed ('Walter Besant') to Mrs [Alice] Westlake.

Author: 
Sir Walter Besant (1836-1901), novelist and historian of London [Alice Westlake (nee Hare); Adam and Charles Black, publishers; The Survey of London; Royal Borough of Kensington and Chelsea; Frognal]
Publication details: 
13 February 1897; on Adam and Charles Black 'Survey of London' letterhead.
£45.00

12mo, 2 pp. Seventeen lines of text. On lightly aged and creased paper. Attractive arts and crafts letterhead. Sending his 'mosts profound sympathy in the danger which threatens Chelsea'. He will sign 'the paper [...] with the greatest of pleasure', although he anticipates 'very little good as a possible result'. Suggests a time at which the paper can be sent to him.

Typed Note Signed ('Chas B Cochran') to Mrs G. M. Place, Sir Isaac Pitman & Sons Ltd., Parker Street, Kingsway, W.C.2.'

Author: 
C. B. Cochran [Sir Charles B. Cochran; Sir Charles Blake Cochran] (1872-1951), English theatre impresario
Publication details: 
9 November 1940; on letterhead of 'Charles B. Cochran | 49, OLD BOND STREET, | LONDON, W.1.' ['Telegrams: "Cockranus, Piccy, London."]
£28.00

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

Handbill, amended in manuscript for reprinting, beginning 'Taunton Branch Missionary Society, In aid of the London Missionary Society, instituted 1795.'

Author: 
William Bragg, Printer, Cheapside, Taunton, Devon [London Missionary Society; Taunton Branch Missionary Society; Wivelscombe]
Publication details: 
Dated October 29th. 1826. | W. Bragg, Printer, Cheapside, Taunton.'
£95.00

On both sides of a piece of wove paper, roughly 23 x 18 cm. On lightly discoloured and creased paper, with central spike hole affecting two words. Two manuscript changes in ink on the recto: 'TAUNTON' amended to 'Wivelscombe' and the twenty-one names of the Society's officers cancelled. A handful of changes, in ink and pencil, on reverse. Mainly taken up with ten 'Principles and Regulations'. Seven-line footnote in small print on recto, concerning a 'FUNDAMENTAL PRINCIPLE'. BBTI lists William Bragg as active in Taunton before 1830.

Autograph Letter Signed, in French, to unnamed male correspondent.

Author: 
Jacques Herz (1794-1880), French pianist and composer [Sir Charles Lock Eastlake (1793-1865), President of the Royal Academy and first Keeper of the National Gallery]
Publication details: 
Vendredi 11 Mars' [no year]; 23 Bentinck Street, Manchester Square, London.
£56.00

12mo, 2 pp. 12 lines of text. Creased and ruckled, with a little smudging. Difficult hand. Asking the recipient 'd'aller passer une soirée avec nous'. Laid down on a piece of paper which is attached to the blank reverse of the second leaf of the bifolium is a slip of paper (roughly 2 x 9 cm) carrying Eastlake's signature ('always truly yours | [signed] C. L. Eastlake').

Printed circular (in the form of a facsimile of a handwritten letter) invitation to the 'Ceremony of laying the Foundation Stone [of the 'New Library and Museum' at the Guildhall]'.

Author: 
William Sedgwick Saunders [Guildhall Library; Corporation of London; the City]
Publication details: 
17 October 1870; Guildhall.
£55.00

4to: 1 p. Facsimile of a handwritten letter. With small embossed circular letterhead, in red and gilt, with crest enclosed by the words 'Bibliotheca civitatis Londoniarum'. Somewhat grubby bifolium, but with text clear and entire, reading 'The Committee appointed by the Corporation of London to carry out the works in connexion with their new Library and Museum having fixed Thursday, the 27th. Instant for the ceremony of laying the Foundation Stone of the buildings, it will afford them much pleasure to be favored with your company on the occasion, at Guildhall at 2. o'clock. p.m.

A Selection of Psalms and Hymns, for the Use of the Congregation at Portland Chapel, St. Mary-la-Bonne.

Author: 
[the Portland Chapel, St. Mary-la-bonne [Marylebone], London; hymnology]
Publication details: 
London: Printed by W. Flint, Old Bailey; and may be had at the Chapel. 1804.
£200.00

12mo, 30 pages. In contemporary nonce-binding of brown boards tied with twine. Presumably incomplete, as sequential translations of only thirty psalms are present, ending with the hundred-and-fourth. Scarce: no copy in the British Library, and none on COPAC.

Handbill entitled "Extract from "The Times" of 21st August, 1848.", reproducing a petition to the House of Commons 'from Finnemoor', complaining of 'oppression on the part of the Bishop of Oxford' [Samuel Wilberforce, 1805-1873].

Author: 
[The Times of London; Samuel Wilberforce (1805-1873), Bishop of Oxford; Finnemoor, Lewknor Uphill, Oxfordshire; Hambleden; Sir William Robert Clayton; Francis Agar]
Publication details: 
Publisher not stated. [1848.]
£25.00

Quarto bifolium, 3 pp. Verso of second leaf blank. On greyish-blue paper. Good, though lightly creased and with a little spottting. Begins 'MR. D'ISRAELI [sic] presented a Petition from Finnemoor, a place forming part of Oxfordshire, but being wholly within the County of Buckingham. The Petiton complained of oppression on the part of the Bishop of Oxford.

Handbill poem, with illustration, entitled 'Doodle, Doodle, Doo. A New Love Song in the Court Stile.'

Author: 
John Pitts, ballad printer of Seven Dials [Prince Frederick, Duke of York and Albany; Mary Anne Clarke (1776-1852)]
Publication details: 
Printed and Sold by J. Pitts, No. 14. Great Saint Andrew Street Seven Dials,'
£100.00

Printed on one side of a piece of rough laid paper, approximately 24.5 x 8.5 cm. Crude circular woodcut of pedlar at head, diameter 3.5 cm. Good, on aged paper with a little creasing at head and foot. Consists of four four-line stanzas with refrain 'Doodle, doodle, doo.' First stanza, heavy with double-entendre, reads 'HEAV'N bless my dearest little dear, | The wind is not quite fair, | From Portland Road I write this here - | Oh! bless your little hair. | Doodle, doodle, doo.' Clearly refers to a high society Regency scandal, possibly that concerning the Duke of York and Mary Anne Clarke.

Handbill poem, with illustration, entitled 'A Parody on Mr. Clarke.'

Author: 
John Pitts, ballad seller of Seven Dials [Prince Frederick, Duke of York and Albany; Mary Anne Clarke (1776-1852)]
Clarke
Publication details: 
[circa 1809] 'printed and sold by J. Pitts, No. 14, Gre<at> St. Andrew-street, Seven-Dials.
£100.00
Clarke

Printed on one side of a piece of rough wove paper, 25 x 9 cm. At the head is a crude woodcut of lady playing keyboard, dimensions 2 x 3 cm. On aged, creased paper with wear to extremities. Text clear and entire, but not properly centred, with the result that the last two letters of the word 'Gre' in the address cropped. The poem consists of six stanzas of six lines each. First stanza 'YOU have heard of Mrs.

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