LONDON

1p., 12mo. In fair condition, lightly aged and worn, with slight rusting at head from paperclip. He writes that there is 'no relationship between myself and any of the people you mention. I have no antecedents such as you suggest and I cannot recall having received a copy of your catalogue.' Turning to the character 'Horace' in his play 'Nothing Up My Sleeve' he writes: 'he's just a figment of my imagination and the whole play is just a piece of work without any intended resemblance to anyone, only types.' The carbon copy of Barry Duncan's letter is somewhat aged and worn around the edges.

An interesting letter concerning a song mentioned in Lewis Carroll's 'Through the Looking-Glass'. 6pp., 12mo. On two bifolium letterheads. In fair condition, on aged paper. He begins by statig that he has 'taken much interest in theh discussion in the Athenaeum respecting a song of Moore's "My heart & Lute" and possessing some information relative to it' is sends it to Friswell. He proceeds to give an account of publication, with references including the music publisher Power, Sir H. R. Bishop, John Kemble, Sherwood & James, 'The London Stage' and 'The National Airs'.

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

On one side of a 7.5 x 10.5 cm piece of grey paper. Laid down on a piece of cream paper cut from an album. In fair condition, aged. Reads (with manuscript additions in square brackets): 'LYCEUM THEATRE. | Mr. Henry Russell's Entertainment, | ADMIT [Four Dress Circle] | On [ Wed ] day, September [ 7th ] 1853. | [Henry Russell.] | Not admitted after a quarter to 8.' Also included is an undated newspaper cutting of a letter from Russell 'To the Editor of the Daily News', from '74, Kensington-gardens-square, Bayswater, Nov.

1p., 4to. In fair condition, on aged paper, with minor traces of glue from mount on reverse. Reads: 'My ydear Massingham. | Will you give me an admission for myself & friend to see the Pantomime - I hear it is great - how are you - can I do any thing for you! - | Thine sincerely | Henry Massingham'. 'Old Massingham' was well-known in his day as 'the lessee of the box-office at the Princess's Theatre during the reign of Keeley and Charles Kean'. His collection of theatrical material was auctioned after his death.

1p., 12mo. In fair condition, aged and lightly-creased. The letter begins: 'Four thousand thanks for the very kind manner in which you have given the notice of my dearest wife in your last number.' The notice will be extremely gratifying 'to her family and any of the many who loved her'. Mrs Planché was also a playwright, and is thought to have collaborated with her husband on a number of works.

3pp., 12mo. Bifolium. In fair condition, lightly aged and worn, with unobtrusive spike hole through both leaves. The signature is unclear, and appears to read 'Eleyn Zahn', but the only one of Charles Kenney's sisters with a name beginning in 'E' was Ellen. She asks for a private box for the following Thursday on behalf of her sister 'V. Kenney [ Virginia Kenney, born 1821]and self'. She refers to his 'long and prosperous reign', and fears that it will be 'long before we shall enjoy the gratification of seeing both you and Mrs. Kean again, as we leave for Paris in a few days'.

1p., 8vo. In fair condition, lightly aged and worn. Brammall's address is given as Cheetwood, 123 Dartmouth Road, Brondesbury, NW. Note Wilson's parsimonious or thrifty use of his old Premier's letterhead despite his return to England. He regrets having to decline Brammall's invitation 'relative to the Dinner of the Diggers' Club to be held on the 8th June', due to his 'being absent in the North of England on that date'. A manuscript list of attendees (presumably by Bramall) is on the reverse, with the note: 'I should like a small table in the room for the artistes after dinner'.

1p., 12mo. In good condition, on aged paper. In envelope with Penny Red stamp and postmarks (including one dated 21 March 1853), addressed by Davenport to 'J F. D. Croker Esq | 3 Gloucester Road | Old Brompton'. He thanks him for sending 'his Dramatic Register of 52 (& one also 51 while in Scotland)', and congratulates 'Mr C upon the very excellent style in which he has put the facts together'. Also present are a cutting relating to Davenport, from the New York Albion, 24 February 1855, and a small engraved portrait of 'MR.

1p. 4to. Enclosing £2 10s 0d, and written out by hand on a piece of aged ruled paper. With acknowledgment by Duncan at bottom right. In stamped and postmarked envelope, addressed by Brahms to Duncan at his London shop, 11 St Martin's Court.

ONE: TNS. 1p., landscape 12mo. In good condition, lightly aged with nick to corner. Letterhead features two small cartoons: a caricature of himself and a lion. Covering letter sending 'herewith my autograph for your collection'. TWO: Signed black and white portrait photograph of Cole. 8 x 5.5 cm. In good condition. Signed at bottom right: 'Sincerely | Charles Cole | 1945'. Cole has rather disappeared under the radar.

Both items in good condition, on lightly-aged paper. ONE: ALS. 1p., 4to. In stamped envelope addressed to Ducan in St Martin's Court, London. Begins: 'O, thank you for the beautiful print. I think it's really lovely - couldn't be more delighted.' She thanks him for 'the charming note', adding: 'If I'd known it helped I'd have smiled more often!' TWO: ACS. In red ink. Begins: 'How lovely - the programme. So pleased to have it'. She ends: 'Hope we manage as well as they did!'

The two typed notes in good condition, lightly aged; the autograph note in fair condition, on aged paper. Two items signed 'Bernard Miles' and one 'B. M.' The first typed note suggests an exchange of material, with the autograph postscript 'One or two of the appeals for charity are endorsed by H. I. [ Henry Irving? ] himself.' The second typed note declines a collection: 'I managed to pick up an almost complete set in Leeds soon after we talked - nearly 200'. The autograph note simply acknowledges the sending of a cheque for a 'little lot of photographs I took away'.

4pp., folio. Bifolium. In fair condition, on aged paper slightly worn at head. The front page is headed 'H.R.H. Princess Christian and the Royal Members, are Patrons of a Private Farewell Matinee arrranged by Lady Romney on behalf of the Green Park Club for Mr. and Mrs. Luther Munday'. The names of twenty performers are listed beneath this, headed by Herbert Beerbohm Tree, with various other individuals named.

1p., landscape 12mo. In good condition, on lightly-aged paper. Reads, with manuscript text in square brackets: 'Royal Italian Opera, | Covent Garden. | [Madle Vestris] | Londres, [Le 6 Juin] 18[66]. | Recu de M. Gye la somme de [£40 - -] | [G Vestris | B.V, | £[40 : - : -']'.

BThe five items in fair condition, lightly-aged, with slight rust staining from paperclip. In a difficult hand. ONE: ALS to Macqueen-Pope, 20 March 1941. On his Larkwood letterhead, with 'From Allan Aynesworth' at head. Undated. 3pp., landscape 12mo. Providing a deal of information about his association with Maude, the last page beginning: 'Friendship about 50 years. We joined the Garrick & Beefsteak Clubs where we dined together with so many of our Theatre Friends Inc. Wyndham Irving Alexander Hare & Kendal to name a few.

1p., 4to. In fair condition, on aged paper with wear to extremities. A twenty-three line letter discussing Council business, with the last paragraph reading: 'I have to thank you on behalf of the Council for the notes which you so kindly sent in for use at the last meeting. Mr. Hornell will do a certain amount of ethnological work, but in view of your opinion and that of others on the Council as to the difficulties involved, it is not proposed to appoint anyone else for this branch.' On the reverse of the letter are pencil notes by Seligman, made while reviewing a book.

1p., 8vo. On aged and creased paper. Lily Braytonis is a 'vague relative' of his, and she sends her 'good wishes [...] a propos the Chu Chin Chow article'. She would like to 'read through the relevant proofs' and Routh sends on her address. Brayton appeared in more than 2000 performances of 'Chu Chin Chow'. For more on Routh, see his obituary in the Independent, 8 June 2008.

30pp., 12mo. Disbound without wraps. In good condition, lightly aged. The only copies of this edition on COPAC at Oxford and the Humanist Library.

16pp., 12mo. Disbound without wraps. In good condition, lightly aged. 'You do not exactly appreciate my feeling. I do not hate Presbyterians; I hate Presbyterianism. I hate with all my heart the creed of that Church, and I most heartily despise the God described in the Confession of Faith. But some of the best friends I have in the world are afflicted with the mental malady known as Presbyterianism.' Uncommon.

15 + [1]pp., 12mo. Disbound without wraps. In good condition, with light signs of age. Last page carries a list of 'Works by Colonel R. G. Ingersoll.' Scarce: no copy at the British Library, and the only copies on COPAC at the Humanist Library and Oxford.

16pp., 12mo. Disbound without wraps. In fair condition, with light signs of age, and slight damage at margin of title-leaf from disbinding. The introduction reads: 'On Thursday evening, January 14, 1892, the Unitarian Club of New York, held its annual dinner at Sherry's.

Printed on one 12mo page of a bifolium of thick orange paper. The invitation is to a show of 'Mr. Andrew Storie's drawings of modern, mediaeval and theatrical dresses at her studio on Friday, 20th July, 1928 from 4 to 7 - (p.m. of course)'. Casson's note, in top left-hand corner, reads: 'Mr. Ian Davison kindly told me he was sure you would be very interested in Mr. Storie's work. - I do hope you can find time to come. | Jill Casson'.

12pp., 12mo. Disbound. In detached grey printed wraps, with portrait of Ingesoll on cover. In good condition, on aged paper. Only one copy of this twelfth edition on COPAC, at the London School of Economics.

8pp., 12mo. Disbound without wraps. In good condition, lightly aged. Drophead title only. Scarce: no copy at the British Library, and the only copy on COPAC at Oxford University.

15 + [1]pp., 12mo. Disbound without wraps. In good condition, with light signs of age. Last page carries a list of 'Works by Colonel Ingersoll.' Foote's introductory note reads: 'During November and December, 1889, the North American Review printed a number of articles by representative men on the subject of Divorce. The editor framed a series of four questions, which the various writers replied to. Colonel Ingersoll answered them seriatim and fully, without the least evasion and reserve, having a habit, not only of meaning what he says, but of saying what he means.

16pp., 12mo. Disbound without wraps. In good condition, with light signs of age and wear. Scarce: no copy at the British Library, and the only copies on COPAC at the Humanist Library and Oxford University.

31 + [1]pp., 12mo. Disbound without wraps. Engraved portrait of Ingersoll on title-page,with facsimile signature. Last page carries a list of 'Colonel Ingersoll's Works.' The essay begins: 'The Brooklyn Union has interviewed Robert G. Ingersoll, who criticises the Union's recent interviews with clergymen.

1p., 12mo. On bifolium, addressed on reverse of second leaf to '- Ward Esqr. -'. In fair condition, on aged paper. The note reads: 'My dear Sir, | Presuming an old acquaintance, I request the favour of your presenting the enclosed to the Committee'.

29pp., 12mo. Disbound without wraps. In good condition, with light signs of and wear, and minor marking to title-leaf. Scarce: no copy in the British Library, and the only copy on COPAC at Oxford.