EDWARD

The collection is in fair condition, on aged and worn paper. Geall's pamphlet is 12pp., 12mo, and stapled. The only copies on OCLC WorldCat at Harvard Medical School and Cape Town. The back page carries a letter by Geall to an unnamed individual [ Marcus Adams ], dated 17 January 1954. The handbill advertisement for the Leicester Institute of Mental Science is 4pp., 12mo., on a bifolium. The other two letters, each on Geall's letterhead, are both 1p., 4to.

Both items in good condition, lightly-aged. ONE: 2pp., 4to. Having returned from 'a rather long painting expedition to France' he finds that 'circumstances have arisen in regard to the administration of the Society' [ the Society of British Film Art Directors and Designers, of which Craig was a leading light], and in the light of these circumstances Irving feels compelled to resign. 'It is [...] unlikely that I shall design any more films.

BThe five items in fair condition, lightly-aged, with slight rust staining from paperclip. In a difficult hand. ONE: ALS to Macqueen-Pope, 20 March 1941. On his Larkwood letterhead, with 'From Allan Aynesworth' at head. Undated. 3pp., landscape 12mo. Providing a deal of information about his association with Maude, the last page beginning: 'Friendship about 50 years. We joined the Garrick & Beefsteak Clubs where we dined together with so many of our Theatre Friends Inc. Wyndham Irving Alexander Hare & Kendal to name a few.

On one side of a 10 x 12.5 cm piece of card. In fair condition, lightly aged and worn. Signed 'C C Wakefield' and granting admission to 'the representative of the [ Pall Mall ]', the trial beginning on 12 December 1907. Annotated around Wakefield's signature: 'For the trial of Robert Wood for the murder of Emily Dimmock, of St Paul's Road, Camden Town | Judge - W Justice Grantham | Leading Conuncil - Sir Charles Mathews for the prosecution; Mr Marshall Halll for the defence. | Verdict - Not guilty.'

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

12mo: 2 pp. Eleven lines of text. A bifolium, docketed on the otherwise-blank second leaf '8 June 1830 | Ld. Ellenborough'. Good: lightly spotted and with traces of grey paper mount adhering to edge on reverse of second leaf. He is enclosing a letter (not present) 'from Keene' (docketed [by Astell?] ('Kearney.)', and possibly the watercolourist W. H. Kearney). 'I must not enter into a Correspondence with him and he asks nothing definite.' Asks Astell to 'consider the matter' and to let him know his opinion on the coming Saturday.

The nine items are all 12mo, and bound together without wraps, with the whole disbound from a volume. In fair condition, with minor signs of age and wear. All titles are drophead. ONE: 'Account of the Formation, Principles, and Objects of the Liverpool Financial Reform Association, [...]'. 12pp. TWO: 'Financial Reform Tracts. No. 1.' 16pp. THREE: 'Financial Reform Tracts. No. 2. Pension List. (Second Edition).' 8pp. FOUR: 'Financial Reform Tracts. No. 3. Taxation. - Part I.' 15 + [1]pp. FIVE: 'Financial Reform Tracts. No. 4. The Army, Ordnance, Commissariat, Navy, Colonies.' 15 + [1]pp.

1p., 16mo. In fair condition, on aged paper, laid down on damaged leaf from album. At head, in another hand: 'for Saturday'. Reads: 'My dear Sir: | I shd. feel greatly obliged if you could without inconvenience to yr interest, give me a box, any night this week, to see King Lear.' At head is note in another hand (see below): 'for Saturday'. From the collection of Macqueen-Pope, who has written at the foot of the leaf on which the letter is mounted: 'To Chas Kean Princess's Theatre | Note at top, either by CK or Massingham the boxoffice m[ana]g[e]r.'

1p., 8vo. In fair condition, lightly aged. He begins by thanking Macqueen-Pope for a 'kindly reference' to him in his 'admirable book about The Gaiety'. He has noted a reference to 'Henly' in the index, and identifies this figure as Edward John Henley, brother of William Ernest Henley, whose poem 'Ballade of Dead Actors' he transcribes. He explains that Henley stayed some time in America after going there with a production of 'Deacon Brodie', a play by his brother and R. L. Stevenson, 'and, in 1897, I made my first production, "John Gabriel Borkman," in New York, with E. J.

14 + [2] pp., 12mo. Disbound without covers. In fair condition, lightly aged and worn. 'Delivered under the auspices of the Anti-Poverty Society at the Cooper Institute, New York, on Sunday, March 3, 1889, for the benefit of the Street-Car Drivers and Conductors out of employment through the late strike.' Scarce: the only copy on COPAC in Oxford.

Printed in black on one side of a 19 x 29 cm piece of stiff card, with rounded corners. In fair condition, lightly-aged, with 4cm vertical closed tear at head. The memorial to a stern-faced Gladstone is depicted - a setting sun blazing behind it - between two mythical seated women, Justice on the right, and a hooded woman with a hand mirror on the left. In the background are the Houses of Parliament and Westminster Abbey. The card is made out in manuscript to 'Edward C Young' (with '186357' at foot), and the caption at the foot reads: 'This Memorial Card was issued to [ Edward C Young.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

12mo: 2 pp. Eleven lines of text. A bifolium, docketed on the otherwise-blank second leaf '8 June 1830 | Ld. Ellenborough'. Good: lightly spotted and with traces of grey paper mount adhering to edge on reverse of second leaf. He is enclosing a letter (not present) 'from Keene' (docketed [by Astell?] ('Kearney.)', and possibly the watercolourist W. H. Kearney). 'I must not enter into a Correspondence with him and he asks nothing definite.' Asks Astell to 'consider the matter' and to let him know his opinion on the coming Saturday.

1p., 12mo. In fair condition, on lightly-aged paper. Addressed to an unnamed recipient. He gives his prices for 'a head in Marble', a 'Torso bust', and a 'pale draped bust'. Docketed on reverse with biographical details in a nineteenth-century hand.

3pp., 12mo. Bifolium. In good condition, lightly-aged. Addressed to 'Mr Cornish | 33, Piccadilly | Manchester'. The letter begins: 'Mr. Ormerod has received Mr Cornish's enquiry whether Mr O. has "any Io [i.e. folio] Paper Hist: of Cheshire for sale.' He replies that he 'has now only two Io Paper copies of Hist: Cheshire One is extensively illustrated and bound in ten Volumes in Morocco - This, of course, cannot be parted with.' Ormerod would part with the other set 'for £100, (one Hundred pounds) Cash - not less'.

Neither image is present in the National Portrait Gallery collection. The two items are from the papers of royal photographer Marcus Adams (1875-1959), with whom Park shared premises (as well as facilities and staff) at 43 Dover Street, Mayfair. Each is in its own envelope, and the two are loosely inserted in a stylish brown patterned cloth 32 x 24 cm folder, with Park's stamp in gilt on cover and his bookplate inside the front cover. The negatives are in good condition, in aged envelopes and folder.

Jardine, dubbed by the press 'the Poor Man's Pastor', travelled to France to perform the ceremony. As a result, his vestry committee resigned and he resigned his living, emigrating to the United States. The cuttings are laid down on 19pp of a Victorian folio volume, in superior brown calf binding, tooled in gilt, with marbled endpapers, and 'HARMONY OF THE GOSPELS' stamped on the spine. As the title on the spine indicates, the volume contains the manuscript of a harmony of the gospels, covering 127pp, with the text written around columns of printed text cut from a printed bible.

3pp., folio. Bifolium. In good condition, on lightly-aged paper. Title in large type on first page and text on central two pages.

3pp., 4to. Bifolium. In good condition, on lightly aged and worn paper. Addressed (with broken seal in red wax) on reverse of second leaf to 'Archibald Campbell Esq | Army Agent | Regent Street | London'. The letter begins: 'I have just seen a Letter from the Widow of the late Stuart Campbell with a Copy of yours to her, recommending her to try, the effect of circulating Subscription Papers amongst the Friends of her late Husband, and certainly there appears little chance of obtaining any other Relief for her and her destitute Family'.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper with remains of stub adhering to one edge. Having heard from 'Russell' he is returning something which Ottley 'kindly wrote', 'which so far I've been unable to place rightly'. He invites him to 'a quick family dinner with me (143. Regent St.)' the following Sunday. Henry Ottley is the probable recipient; although best-known for his supplement to Bryan's dictionary, he was also the author of a critical analysis of 'Fechter's Version of "Othello"'.

1p., 12mo. In fair condition, on aged and worn paper. He has had a conversation with 'Tomkins', and as a consequence has 'made a few alterations in the last scene of the "Hulk"'. He asks him to read the last scene and 'manage, if possible, to get the Prompter's Copy set right before the reading of the Piece'. He feels his changes make the play 'more original, and more likely to render the Piece effective'. With postscript. 'The Haunted Hulk', a Nautical Drama in two Acts was performed at the Adelphi in 1831.

On 7 x 12 cm. panel cut from front of envelope. In good condition, lightly-aged. All in Ellenborough's hand, it reads 'Algernon Greville Esq | Apsley House | Ellenborough'.. As required with a frank, Ellenborough's signature is between two horizontal lines, in the bottom left-hand corner.

1p., 12mo. In good condition, on lightly-aged paper. He informs him that 'the Duchess will be obliged to postpone her visit to The British Museum till next week', and asks what day would be convenient.

2pp., 12mo. On leaf with mourning border. He thanks him for his letters, and expresses disappointment that he 'could not come to the Cricket Match', which was 'not finished, but decided in favour of Knebworth according to the score of the first Innings'. He asks him to obtain 'estimates for lightening [sic] conductors to each of the 8 turrets at Knebworth'. He fears that 'these copper domes are themselves lightening conductors which are now cut offf from all communcation with the earth'.

1p., 12mo. In good condition, lightly-aged. He writes that he has had 'a very fine p' sent to him, and asks if Pearson might accept it. 'If you dont care about it yourself you may have friends here to whom you might like to give it. Only, unluckily, I must have back the top'. He ends with a complaint regarding a 'Bronchial cough'.

1p., 12mo. Bifolium. Addressed on second leaf 'To | Sr John Chetwood Barrtt'. On aged and worn paper. Neatly and attractively written out. Reads: 'Sr | I brought down from London the Prince's Patent for ye levyeing 3000 Markes in Cheshire due to his Royall Highness, as Earle of Chester on whic a Comis[si]on is issued out directed to you and Others for ye levyeing the Same which Comis[si]on I am oblig'd to acquaint you will be at Chester on Tuesday the first day of October next'.

2pp., 12mo. In good condition, on lightly-aged paper. Attached by one corner to a leaf from an autograph album. 23 lines of text in a difficult hand. He thanks him for his 'notice in L<?>, & for the long & valuable as well as kind & flattering notice of my Novels'. He considers that the review is 'written with great talent - & is altogether the best of the kind notices of these works which I can remember to have seen'. He invites him down to Knebworth and asks whether he has 'succeeded with Lord Malm[esbur]y'.

20pp., 12mo. On ten 26.5 x 21 cm numbered leaves, nine of them printed on one side only and the seventh with the text duplicated in error by being printed on both sides. Each leaf folded once, and the ten leaves stitched up to make a 21 x 13.25 cm booklet. The text written around a total of 20 illustrations by the author (including 'a covered market cart' in Oxford; 'Uncle Mervyn's Pajamas'; 'a Performing Elephant'; 'Rougemont', 'The Logan Stone', 'The Armed Knights & Enys Dodnan Rocks at The Lands End', the Clifton Suspension Bridge). In good condition, lightly aged and worn.

2pp., 12mo. Printed on one side of a piece of 21 x 26.5 cm paper, with central vertical fold dividing the pages. In good condition, lightly aged. Addressed to 'My dear Children'. He begins by describing his attendance at the laying by Prince Albert Victor of 'the first stone of the New Bancroft Schools at Woodford', with lunch by the Drapers' Company. He soon changes tack: 'On the 14 I visited Buffalo Bills Wild West Show and you will I dare say like to hear what I saw there, better than what we did at Woodford.' He notes that he was 'mightily taken with the reality of the show.

The duplicated typescript of the play is 79pp., folio, on 79 leaves attached with a stud. Aged and worn, with slight staining to early leaves. Accompanied by a BBC compliments slip, with the typed name of the play's producer Shaun MacLoughlin. Also present is a BBC postcard, with short typed message dated 26 July 1979: 'We are sorry but there is nothing in print for the play "Shadowfall".' A carbon copy of the typed letter from Mrs. D. G.