ARTISTS

All four are notable British artists of the first half of the nineteenth-century: A. E. Chalon (1780-1860), J. J. Chalon (1778-1854), Geddes (1783-1844), Robertson (1777-1845). Paper dimensions roughly four and a half inches by five and a half. Grubby and discoloured with age, and with some wear and creasing to edges. Signatures read ' R: Jackson [perhaps John Richardson Jackson, mezzotint engraver, 1819-77] | Alfd. Edwd Chalon | Jno. Jas. Chalon | Andw. Geddes | A. Robertson'.

The artist Clint (1770-1854), the printseller Colnaghi (1790-1879) and the engraver Audinet (1766-1837). Paper dimensions roughly four and a half inches by three inches. Good clear signatures, but on paper somewhat grubby and creased. Reads 'D: Colnaghi | Geo Clint ARA | Philip Audinet'. From a collection of material relating to the Artists' General Benevolent Fund.

British sculptor (died 1864). Paper dimensions roughly five inches by two inches. Good, but on slightly discoloured paper. Reads 'I have the Honor to be | Gentlemen | Your Obedient Humble Servant | [signed] William Behnes'. From a collection of material relating to the Artists' General Benevolent Fund. Behnes ended his days in considerable distress.

The sculptor Behnes (died 1864) and six painters: Cooper (1787-1868), Ross (1794-1860), Pickersgill (1782-1875), Newton (1785-1869), Etty (1787-1849). Paper dimensions roughly five and a half inches by three. Good, though a touch grubby. Reads 'William Behnes | Ab Cooper. R.A. | W. C. Ross RA. | H W. Pickersgill | Wm. J. Newton | Wm.. Etty'. From a collection of material relating to the Artists' General Benevolent Fund, and docketed by the Fund's secretary, next to Cooper's name, 'not eligible | W J Roper'.

British miniature-painter (1761-1835). Dimensions of paper roughly seven and a half inches by one and a quarter. Good, on good-quality laid paper, but slightly creased and grubby at sides. Reads '[Signed] Charles Hayter 16 Buckingham Street | Portland Road | June 24. 1825'. Docketed to the right of signature and address. From a collection of material relating to the Artists' General Benevolent Fund.

English architect (1788-1863). Paper dimensions roughly seven inches by one and a quarter. Good, though somewhat grubby. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> a necessity | C. R. Cockerell. | 10 Sepr. 1833. | 89 Eaton Square.' and on reverse '<...> | and relief, from the Benevolent Society of Artists | I am the Widow of the late Henry Landseer who died [^ on the 25 of July] after an Illness of only a few Hours. leaving myself and Two Infant Children totally destitute. - | <...>'

English sculptor (1799-1872). Paper dimensions roughly seven and a half inches by one and a quarter. Good. Reads '| <...> | To be | Gentn | Your obt Sert | Richd Westmacott | S. Audley St | 1st. Decr 1837.' Fragment of docketting on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

British artist (1787-1849). Dimensions of paper roughly four and a half inches by two. Folded three times. Good, but on slightly discoloured paper. Reads 'I have the honor to be | Gentlemen | Yours faithfully | [signed] Wm.. Etty.' From a collection of material relating to the Artists' General Benevolent Fund.

Stanfield was a marine and landscape painter (1793-1867); Meredith was employed by the auctioneers Machin and Debenham of King Street. Paper dimensions roughly five and a half inches by four inches. Folded twice. Grubby and lightly creased, with dog-eared corners. Reads '[signed] Michael Meredith | No 6 Blomfield St | Finsbury Circus | [signed] C Stanfield R A | Mornington Place | Novr. 20th. 1825. From a collection of material relating to the Artists' General Benevolent Fund.

Behnes (died 1864) and Westmacott (1799-1872) were both sculptors. Paper dimensions roughly four and a half inches by three inches. Folded three times. Good, though a shade grubby. Reads 'I believe the above statement to be quite correct | [signed] Richd Westmacott | William Behnes | Feb. 27/40.' Docketed on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

English artist (1849-1923). Four pages, 12mo. Folded once. With mourning border. Good, if somewhat grubby and on discoloured paper. Difficult hand. He is very grateful for the 'kind thought in sending the pipes, they are beauties, and should last one a life time'. He also thanks Slocombe for his subscription 'to the Restoration of Blythburgh Chancel Porch'. He hopes he has enjoyed his 'work in Scotland'. 'I shall be only to [sic] proud to let you take Photographs of anything I have in my house - | Do you know that the Son of Charles Robinson F.S.A.

English artist (1840-1920). Two pages, 12mo. Good, but with closed tear at head unobtrusively repaired with archival tape, and some spotting. In stamped envelope addressed in autograph and with postmark. 'I shall be pleased to come & see your pupils work on Wednesday June the 1st but shall not be able to reach there before 2.45 I regret to say. | With kind regards | Yours very truly | [signed] Briton Riviere'.

English architect (1849-1930), responsible for many notable London buildings, including the Victoria and Albert Museum. The recipient Spielmann (1858-1948) was an art historian. One page, 12mo. Grubby, and with pin holes in top left-hand corner, as well as small closed tear at foot of leaf (not affecting text). Reads 'I regret that having to be in Manchester on Friday next I shall be unable to attend the art Committee of the St. Louis Exhibition'. Signed 'Aston Webb'.

English sculptor (1799-1872), Professor of Sculpture at the Royal Academy and son of Sir Richard Westmacott. Two pages, 12mo. Good, but on grubby, foxed paper, and with remains of stubs from previous mounting still adhering. A formal letter in the third person. Reads 'Mr Westmacott presents his Compliments, and thanks Mrs Morgan very much for her kind proposal for Friday - Malheureusement Mr. W. is engaged that day - & must therefore give up the pleasure that Mr & Mrs. <?>'s kindness offers him.'

Hardwick (1792-1870), English architect; Behnes (1791-1864), English sculptor; Angell (1800-66), English artist. On piece of paper roughly four inches square. In good condition. Reads '<...> | Philip Hardwick | Russell Square | William Behnes | Thos: Bellamy | Saml Angell'.

Minor English artist who (according to docketed note) exhibited between 1838 and 1859. One page, 12mo. Very good, though somewhat grubby. Reads '226 I have the honour to send 1 picture for the ensuing exhibition at the Manchester Royal Institution, entitled "The new acquaintance" vide The Vicar of Wakefield | Price with frame 34 gs. | [Price] without [frame] 30 [gs.] | Signed 'Jno. G Hankes'. Second leaf of bifoliate addressed, and with top corner cut away and present beneath black wax seal, which bears the smudged impression of a crest.

British art historian (1866-1939) whose papers are now in the Courtauld Institute, London; Turner specialist and founder of the Walpole Society. Both items one page, quarto, very good. Both docketed and bearing the Society's stamp, and signed 'A. J. Finberg'. First letter enquires whether 'a full list of the recipients of [the Society's awards] has been published, or whether the materials for the compilation of such a list are in existence & are accessible to research'.

Painter and art historian (1918-91). The two items are both very good, attached to one another by a staple in a corner. The copy of Samson's letter (one page quarto, very good, on yellow paper) explains that the Society is 'endeavouring to arrange a course of three Cantor Lectures next Spring on modern philosophies - art, architecture and music', and invites him to deliver the first of these. Gives details of the fee, dates, etc. Gowing's letter: one page, octavo. 'I am honoured by your invitation to give the first of the Cantor Lectures next year. But I must refuse it - I'm very sorry.

Artist and art historian (1835-1906), President of the Royal Society of British Artists. Both items very good, if somewhat grubby, and both stamped and docketed, and signed 'Wyke Bayliss'. Both postcards with postmark over printed stamp. POSTCARD ONE: 'I was dining last night with Dr Richardson and he said he should be glad if you could let him have some more cards of invitation for my lecture on the 25th. May I ask you (if you think proper) to send them a dozen, in addition to htose you have already sent.' POSTCARD TWO: 'I send by this post the MS of my paper, for the printer.

English mediaeval and art historian (1898-1974), Director of the Courtauld Institute of Art. One page, landscape octavo. Good, but with one corner creased and grubby, and with staple holes in another. 'I should be much honoured to be nominated as a Fellow of the Royal Society of Arts and should much appreciate association with that body and all the work it does.' Signed 'T. S. R. Boase.'

Dimensions. Paper stained, discoloured and ruckled. Trimmed and mounted on a piece of brown paper. Reads 'Shall feel extreemly [sic] obliged if you will have the goodness to allow the Landscape on Copper sent to be placed on the Walls for the ensuing Exhibition at the Royal Academy has [sic] it will confer an obligation on | Sir/ | Your Most Obedient | Servant | G Kirkley | Landscape on Copper | George Kirkley | No. 3 Gilhams Fields | Worship Street'.

Two pages, 12mo. Very good. She is sorry that her correspondent should have 'taken the trouble to call twice & have found me out, but I am working at the school just now, & am very not returning as a rule until the evening | So I trust you will excuse my calling with kind regards to yourself & Mr. Middleton Walker'. Signed 'Constance Williams' and docketed in pencil, 'a very clever sculptor in wood'. Not traced.

British artist (1840-1916). One page, 12mo. Folded twice. Very good, on somewhat discoloured paper with crease to one corner. Reads 'I return you the cards signed. I regret I cannot do a sketch as it has rained requests of a similar nature this Xmas & I am now obliged to refuse with many thanks for all your good wishes'. Signed 'James Linton'.

English engraver (1789-1843). Two pages, 12mo. Edges trimmed (with some loss to text), lightly creased and with some damage to head. Asks if the recipient has in his collection a print of Horace Walpole. 'If you have will you let me see it for , with price marked, will either return it or send the Money, Business preventing my <?> out <?> [...] Impressions of the Vandicke, should you have any grand Heads after that Master I should listen to see soon'. Signed 'W. F. Fry'. Docketed at head 'Mr Fry Engraver'.

Konody (1872-1933) was a well known art critic, and Art Director of the Canadian War Memorials from 1916 to 1919. He was also connected with the British Pavillon at the Venice Biennale. One page, 12mo, on grey paper. In good condition. Verso of blank second leaf of bifoliate attached to piece of paper. Now that he knows he will be in town the following weekend he can accept her invitation to lunch at the Whitefriars Club at 1.45. Signed 'P. G. Konody'.

Behnes (died 1864) was a sculptor of high renown. Ross (1794-1860) was a miniature painter whose work includes portraits of Queen Victoria and Prince Albert. Paper dimensions roughly 4 1/2 inches by 2 inches. In good condition. Reads 'William Behnes | W. C. Ross'. On verso 'my Apartments, should <...> | to the utmost of my hop <...> | be inadequate to extricat <...>'.

Beechey (1753-1839) was a member of the Royal Academy, and portrait painter to Queen Charlotte. Young (1755-1825) was a mezzotint engraver. Paper dimensions roughly four inches square. Folded twice. In good condition on paper somewhat grubby at edges. Good clear signatures: 'W. Beechey R. A. - | Jno. Young.' Beechey was knighted and elected to the Royal Academy in 1798.

English sculptor (1791-1864). Dimensions of paper roughly 4 inches by 1 inch. In very good condition. Large, slightly smudged signature on one side in blue ink. Reverse, in different ink and apparently in another hand, reads '<...> may I presume to solicit your favour fo<...> | as increasing Age naturally brings on in<...>'.

Author and musician (1826-1906), described by Louise Jopling as 'a rich bachelor' and 'a noted figure in the seventies'. 1 page, 16mo. In good condition despite slight creasing and discoloration. Letterhead in green and black ink. Reads 'My dear Locker, | Many thanks - I will meet you at the Athenaeum at 3 o'Ck. on Tuesday - I have done, & shall do nothing till then. | Every yrs. | Hamilton Aïdé'.

English sculptor (1775-1856). Dimensions of paper roughly 4 1/2 inches by 1 1/2 inches. In good condition. Reads '<...> I am Gentlemen | Your obt. & humble St. | Richd Westmacott'.