Autograph Letters

Two pages, 4to, dusted and otherwise marked, but text clear and complete. He "begs leave to represent the the State of my account of Fees & Disbursements in obtaining the Act of Parliament 'for rendering more commodious & for better regulating the port of London' which ammounts to ____________"5989.12-". He has received £4400 "by your warrants out of the Parliamentary hand, £100 of the Dock Company, balance due £489.12". He explains a complication involving the Dock Company's payment.

Six pages, 8vo, water-stained but texts clear and complete. Much of the letters are concerned with elements of his executorship of the will of William Morris - (and trusteeship). In the letter to May he begins by expressing relief that "the Horace [book or manusript] was safe", then discussing a payment of £785 due to her (she adds the comment "About £785 due to me" in pencil at the end) and the payment due to Jenny. "When we were at Kelmscott I explained ot her that all claims contracted after Jan.26 would be payable by your father's executors.

English impressario (1872-1951), nicknamed "Cocky", closely associated with Noel Coward, knighted in 1948. All one page, five with the letterhead Charles B. Cochran, 49 Old Bond Street (three 8vo and two 4to), and one, 12mo, with the letterhead of the Midland Hotel, Manchester. One in stamped addressed envelope. All thanking Bass (of 22 Delta Street, Lightbourne, Moston, Manchester) for his letters praising the Manchester performances of Cochran's revue.

Author/translator of "La Muse ottomane ou chefs-d'oeuvre de la poésie turque" (Paris, 1853). Three pages, 8vo, good condition. He thanks his correspondent for a copy of "l'Anthologie arabe de M. Grangeret de Lagrange" [first published 1828]. He explains his great interest in the book and the excellent job done by the compiler. He praises his correspondent for enriching the book with Latin and notes which derive from their discussions.

Viscount Stratford de Redcliffe, British diplomat (1786-1880; DNB), for many years Ambassador to the Sublime Porte. The recipient, James Finn (died 1872), was British consul at Jerusalem from 1849–1858. 2 pages, 16mo. In good condition. He has sent his correspondent's 'memorandum respecting Abyssinia' to Lord Stanley, 'who is a better judge than I can presume to be of any advantage which might result from putting into practice the suggestions it contains'. He has 'a due sense of the confidence you have shewn me'. Signed 'Stratford de R.'

Novelist, Daughter of Charles Kingsley (see DNB). Two surviving pages from a letter, 8vo, attached to card (ultimately from album leaf), tear at fold but complete and clear. Text: " He is a very clever little boy - He used to possess - and probably possess still - a power of committing small sins & contriving that other persons should bear the punishment of them, which almost amounted to genius. We used to call him Jacob - for there was an element of saintliness in his character too. / I hope you and Mrs Hunt may still cxome to Clovelly.

Novelist. The two surviving pages, 4to, from a lengthy letter which has already been crudely repaired but which has an additional tear which does not, however, lead to textual loss. "I was very much rejoiced at the sight of your truly welcome letter" except that it announced a death. She eulogises the departed "He was one of the few of whom you may know little yet think much . . ." She explains how she had planned to visit her within a more complicated trip but "all my plans were laid aside and certainly my pleasures annihilated by an attack of inflammation in the eyes.

English actress (1855-96), sister of Ellen Terry and member of celebrated theatrical dynasty. 2 pp, 12mo. "You really must think me a pig for not having written to you all this time - but now I send these few lines to thank you first for your good wishes and congratulations on my engagement to Mr Morris & for kind remembrance of my birthday - The card was a very pretty one - I hope to be home after the 4th of next month - so I shall hope to see you before long now: It must be delightful on the Thames: With love and thanks to you & Alice Lewis for all your good wishes".

Four pages, 12mo. Very good, with unobtrusive remains of stub along one edge. In interesting letter discussing the state of the English stage. Her tardy response is due to 'pressure of work". 'What you say about the present condition of the stage is only too true.

English actress of Spanish descent (1866-1951). Two pages, 12mo. On grey paper. Folded twice. In very good condition, but with minor traces of paper mounts adhering to two corners of first leaf of bifoliate. Florid signature. She declines the luncheon invitation as she has friends coming down. She is 'going to try & have tea with Mrs Gooch. But it is a little difficult to get away when one has people staying.' She is sorry to have missed her correspondent.

Two pages, quarto. Very good, with a little wear and light creasing. 'I often think of those days, & how timid & shy & stupid I was! Yet I enjoyed myself too, & shall never forget your great kindness, & the help you gave me. Since then I've had many adventures & experiences. I am not the thing I was!' She has been in London for the winter, and hopes they will be able to meet. 'We're so glad you like "Yellow Sands" - & I'm very pleased you like "Tomek". She has 'just finished another novel & play'. Asks what has become of a number of common acquaintances.

American actress. Very brief note saying "Feb. 8th 1928/ With pleasure. Here is the autograph/ Mary Anderson de Navarro". Laid down on card.

English actress (1866-1942). One page, 8vo, with green border and letterhead 55 Avenue Road, Regent's Park. A formal letter written in the third person, presumably on the death of her husband W. Graham Browne (1870-1937). "Miss Marie Tempest is deeply moved by your expression of sympathy. The letters and telegrams she has received have helped her more than she is able to say. There have been so many that she is unable to reply to them personally, but she hopes that you will realise all that your sympathy has meant in her great sorrow."

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

English actress (1839-1895), for a time manageress of the Olympic Theatre. 2 pp, 12mo. "I enclose you the Stalls with much pleasure - and I hope you will enjoy the performance. Please place the enclosed cheque for £25 - to my account and oblige / Yours sincerely / Ada Cavendish". Traces of glue and paper from previous mounting at foot of second page.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. "Sir / I have much pleasure in forwarding you my autograph / Yours truly / Ada Cavendish". One of the edges unevenly cropped, and slight traces of previous mounting on the reverse.

English actress (1892-1977), daughter of actor Fred Terry (1864-1932) and his wife the actress Julia Emilie Neilson (1868-1957). One page, 4to, in a large hand. "Dear Mr. Bass. / Many thanks for yr. kind letter & the present. / It was nice of you. / Yours very truly / Phyllis Neilson-Terry". Paper somewhat discoloured.

Actress, singer and dancer (1797?-1867), a great beauty whose amours were the subject of a number of pamphlets. "Thursday 2 o'clock", 3 pp, 12mo. She sent him a dinner invitation that morning but he had gone. "Thank Ferdinand for his Book which I return - and for the apple - which I shall cut up with some curiosity". In a postscript she thanks him for "I cannot sing". Signed "M H", so dating from after her marriage to Harrington in 1831. In good overall condition, despite negligible water staining, tears and traces of mount.

English actress (1888-1971), made a Dame of the British Empire in 1967. Signature on card, 1½ inches by 3 inches. Mounted on piece of paper, 12mo, docketed "Gladys Cooper (Lady Pearson) Popular Actress".

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. Written in a bold hand, clearly in reply to a request for an autograph. " "Tell me thy reason / Why thou wilt marry " / "All's well that ends well" / Ada Cavendish". In reasonable condition, despite a tear almost halfway down a crease running vertically down the centre of the paper, and traces of glue and paper from previous mounting on the reverse.

English actress (1892-1977), daughter of actor Fred Terry (1864-1932) and his wife the actress Julia Emilie Neilson (1868-1957). One page, 4to. "Thank you very much indeed for your charming letter of welcome. / I sincerely hope that you will enjoy "Trilby". I have had great success with it elsewhere, and I only hope that Manchester will love the old play also. / thankyou for your inquiries regarding my mother and Father, they are both well."

Classical actress and theatre manager (1872-1957), later Lady Simson. The signature is 2½ inches long, on a piece of grey paper, with one crease but otherwise in good condition. The paper is mounted on a piece of card which is neatly docketed, 'Lena Ashwell | now | Lady Simson 1925 | Actress | famous in | [...] | Appointed Office of the Order of the British Empire for valuable work in providing concerts at the front and at Home during the Great War'.

Actress (1936-) and minor politico. One page, 4to. "Thank you very much for your letter. I'm so glad to know that you have enjoyed my work and have pleasure in enclosing a photograph [not present] for you to add to your collection." Not in the best of condition: heavily creased, slightly torn and slightly discoloured.

Actress (1894-1978). Card, on one side of which is printed, "30 CONDUIT ST / BOND STREET / W / TELEPHONE / 1923 / MAYFAIR / INSTEAD thanks / .... / for .... letter, and order for Photographs which are being proceeded with. / .... 192 ...." Over this, lengthwise and upwards, is the signature "Fay Compton", and above it an attempt at forgery, with the "Compton" reasonably convincing, but with "Fey" for "Fay". On the blank reverse another signature by Compton. The actress would appear to have provided these examples of her signature for copying onto her publicity photographs.

Irish-born American actress (1860-1916). 3 pp, 12mo. "I fear a matinée will prevent my coming on July 4th. Some benefit I have promised to play for - but if I come off early enough - & am not too tired I will certainly <?> in & see you / I hope that you and all your delightful family are well". Creased, but otherwise in reasonable condition.

One page, 12mo. She has just returned from the theatre at 11 o'clock and is "delighted to have been able to obtain a ticket". Signed "May". Stuck to the foot of the page is a newspaper cutting describing Sarah Bernhardt's performance in Emile Moreau's play on Queen Elizabeth. This ends, "A word is fairly due to the work of M. Lou Teilegen and Madame May Agathe, and to the excellence of the stage management." Creased and with traces of mount on reverse.

Irish-born American actress (1860-1916). Calling card 2½ by 3¼ inches, "Miss Rehan. / 164 West 93rd. Street.", with the name crossed out and signed on the reverse "Ada Rehan / 1894."

Actress (1839-1921), wife of the actor-manager Squire Bancroft. 2 pp, 12mo. "Send me the lines & I will see what I can do. I am so sorry to give you all this trouble for I know how busy you are / yrs very sincerely / M. E. Bancroft".

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.