Autograph Letters

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

Two pages, 12mo. Very good, with the merest spotting at head. He 'will be at West Drayton by the train due there nearest to 4 o'clock'. He has no time-table to hand, 'but shall see one at Jermyn St. to-morrow'.

One page, on piece of grey card roughly three and a half inches by four and a half wide. Very good. Twelve lines and one-line postscript in Sutro's tiny and difficult hand. Sends his 'sincerest congratulations on the best volume of memoirs I have read this many a day' (Hicks published his autobiography in 1910). 'There isn't a dull line in it from start to finish; I could dine out for a week on the stories'. Reference to Irving and other actors. Ends 'A damned good book, Seymour! Tous mes compliments!' Postscript reads 'This does NOT require an answer!'

Two pages, 12mo. Good, on aged and creased paper. Engraving of ancient medallion as letterhead. He takes 'the opportunity of a friend going over' to send Smith 'a parcel which I have just received from Monsr De la Plane, Secretary of the Society of Antiquaries of the <?> & the Bulletin of the Society, for the Royal [sic] Society of Antiquaries, the British Archaeological Association [founded 1843], the Numismatic Society, and Smith himself. He is also sending a letter for J[ohn]. Y[onge]. Ackerman (1806-73).

Three pages, octavo. On aged, dampstained paper with a few nicks, but with text entirely legible. Addressed on verso of second leaf of bifolium to 'F. W. Keppel Esqre | Lexham Hall near | Swaffham | Norfolk', with two postmarks ('Swaffham | Morning Post' in black and maltese cross containing date in red) and red wax seal. An unusually intimate agent's letter, of significance to Windsor local history. Keppel's letters 'are always most acceptable to us "Old folks"'. Despite some 'little Relapses', Mrs Pearce's health continues 'tolerably well'.

One page, octavo. Good, on lightly aged and creased paper. 'Pray use me as you think fit on Monday March 4th. & I will do what I can | Perhaps you would not mind telling me if it is to be in reply to a toast & if so what & also whether decorations are worn. I imagine it is more or less of a private dinner & therefore they will not be'.

One page, 12mo. Good, on grey paper and with the merest trace of cream mount adhering to blank reverse. The previous month he received 'an engraved Circular' from his correspondent, from which he now quotes a passage stating that his subscription of a guinea [to the Church Institution] is due. 'I have no recollection of having ever promised a subscription to the Institution referred to.

Three pages, 12mo. On aged paper, with a few closed tears and rust marking to blank verso of second leaf of bifolium. He thanks him for sending the books for examination. 'Mrs. Sotheby will take a photograph of the phiz of Peter Schoeffer, But as to the woodcut being of that I do not at present believe it - | The letters & papers are not of the time.' He asks him to translate a passage, comments further on Schoeffer, and asks if his correspondent has 'any new of Paper Factory for me.' Concludes 'Write me the full particulars of what Dutch Collection in the library of Sir Ths.

National Provincial and Union Bank of England, made out to Dulac for £21 by "R. Grahame Smith", stamped by two banks and attractively fra\med so that both front and back of cheque (i.e. the signature) may be seen.

One page, 12mo. On creased, brittle, aged paper. Repaired with archival tape on reverse, which carries traces of previous mounting. He is sending some lines of introduction 'to my cameo friend who lives in Grafton St Bond St. - No. [i.e. number] unknown, but it is the second or third house on the right going from Bond St.' Hullah's 'Music Hall' - St Martin's Hall in Long Acre - opened in 1850. It burnt to the ground ten years later.

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

One page, 12mo. Very good on lightly aged paper. Giving details of a proposed lecture. He was to have been in Salford, Manchester, but the dates have been changed. Can only offer two dates. '<?> the two years' <?> has been a huge success & a most interesting journey by which we have all benefited. I remember the Bolton audience with great pleasure. Kindly name the subject you choose. My fee: ten guineas as before.' Accompanied by magazine cutting of photographic portrait captioned 'M. PAUL BLOUET ("MAX O'RELL"), NEW EDITOR OF THE PARIS "FIGARO."

Two pages, 12mo. On aged and creased paper. Was 'taken by surprise the other afternoon when you mentioned my book and paid me such a high compliment [...] I cordially appreciate your warm approval of what I have written concerning hospitals, and as you take such a warm interest in health matters I beg to send for your acceptance some other titles of mine on such subjects'.

One page. On piece of paper roughly seven inches by three and a half wide. Bottom part of letter cut away. Reads 'Dr Sir | In compiance with your wish | I subscribe myself | truly yours | [signed] J. M. Weston | To/ | Jas. Reese Esq'. Docketed by Rees 'The above autograph is that of my friend J M Weston, Stage Manager of the St Charles Theatre - he is the Author of Several popular pieces, among which is the beautiful drama of Lucretia Borgia'. Dated in another hand on reverse. Not much appears to be known about Weston, whose translation of Victor Hugo's play was first published in 1850.

Letter, docketed 'Mrs Honey', addressed to ' Esqre | York - Leeds - or Hull | Theatre Royal'. Three pages, quarto. Good, though aged and creased, and with small section cut away on breaking seal. Text clear and complete. Small strip of mount adhering to one edge. Interesting and intriguing letter addressed to 'Dearest Papa' and beginning 'Barnett has never been near me nor do I know where to find him - write by return and tell me where I commence and what you would like me to '. Ends by saying she is 'very busy indeed just now'. Signed 'Laura'.

American evangelist (1873-1967), founder of the Pocket Testament League and the Million Testaments Campaign. One page damp-affected but text clear, some creasing. The letter from Davis is mounted on a leaf from an autograph album, and the two leaves of the other item are both glued along one edge to the same leaf. Letter from the Advertisers, two pages (on two leaves of different size), quarto. Some words of text on second leaf obscured through first leaf being glued over left-hand margin of leaf, but legible through paper of first leaf.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Dimensions of paper roughly one and three-quarter inches by five and a quarter wide. Aged, ruckled, and with traces of glue from previous mounting on reverse. Reads 'Your very faithful | servt | Lansdowne', and on reverse, '<...> as if I did so I shou<...> | be referred to the answer <...>'.

On piece of paper four inches by three and a half, neatly mounted on slightly larger piece of blue paper, docketed 'FLOTSAM & JETSAM | 2 POPULAR ENTERTAINERS'. The crude caricatures (probably by Hilliam rather than McEachern) consist of a crude and highly-stylised image of the heads and shoulders of the two, looking to the left, in hat and cap and both smoking pipes. Beneath is 'Yours very sincerely | [signed] Flotsam and [signed] Jetsam'. Among the duo's recordings is a comic song entitled 'What was the matter with Rachmaninov?' (1927).

Two pages, 12mo. Very good on lightly-foxed blue paper. He has sent his correspondent's letter to the naval correspondent of The Times, and hopes 'that some good may come of it.' Would like to receive 'any more snippets you have from time to time. I didn't know, for instance, that the racing whaler had Sussex until the other day, otherwise I should have tried to make a song about it!' Sends seasons greetings, and wishes him the 'Best of luck'.

One page, 12mo. Good on piece of lightly-creased and aged paper, neatly mounted on slightly-larger piece of paper. Enclosing funds 'for the Use of St Andrews Hall April 2nd. 3rd. & 4th./66 for Christys Minstrels Concerts'. Postscript requests that receipt be sent to Reading in Berkshire: 'Shall be there on Thursday next'. A significant document. 1866 marked the introduction of the minstrel show into England by Christy's Minstrels, and the first of several extremely successful tours by the company.

Statesman and writer (1788-1850). 3pp., 8vo. He has heard that his name has been used in the prospectus for the Gwennap mining company. H explains that he was approached but decioded not to allow his name to be used or to buy any shares in it. He hopes the Lord Mayor will take any opportunity of saying this.

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Dimensions roughly three-quarters of an inch by five inches wide. Good, with glues staining from previous mounting to edges of reverse. Reads '<...> | for the right of translation - I remain, my dear Sir, your most | obedient faithful Servant | [signature] C F R de Montalembert | I shall be happy to look through the rest of the Introduction, if you think it useful.' On reverse '<...> | to be very unpalateable to those who <...>'.

Politician and maritime administrator (1836-1918). 3pp,12mo. "If you could postpone the date for a week, it would afford me the greatest pleasure to present the testimonial to Canon Simpson. Kindly send me list of a few leading subscriptions as a guide, addressed to Chapel Wood / Nutley / Uckfield. / I am at Milan International Maritime Conferrence last week Septr / Yours faithfully / Brassey"..

One page, 12mo. Very good. 'I shall sing il "Soave e bel contento" [aria by Pacini] and will be happy to take a part in the quintetto[,] you must procure the parts of my song'. May possibly refer to the J. N. Hummel Benefit Concert in London on 29 April 1830, where Pacini's aria was played.

Dimensions of paper roughly one centimetre by six wide. Close-cropped but clear and entire. On aged paper with traces of glue from previous mount on reverse.

One page, 12mo. Good. Docketed and bearing the Society's stamp. Concerns 'Sir Alexander Redler's being brought up by Crookes for election to the Athenaeum by the Committee under Rule II [...] you [...] intimated that you knew Redler & that I need not descant on his virtues: he is a most clubbable man & I trust you may be able to support him'.

Two pages, 8vo, minor defects, mainly good. He apologises for not using (or knowing) her full married name and tries to persuade her to give a part to his son whose career he summarises (Athos in "The Three Musketeers", juvenile lead in the "Absent-Minded Beggar"). In a postscript he suggests he would make "an ideal Rochester".

The collection is in good condition, with each letter entirely legible. Two items particularly aged, and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy (at Cambridge) of Robinson's piece, published by W. Sprague of Westminster in [1874], copied by F. C. Wood, 'words by permission of Messrs. Hopwood & Crew'. All items 12mo.