MUSEUM

Autograph Note Signed to unnamed male correspondent, and Autograph Note in third person to Admiral Bowles.

Author: 
The Right Hon. Thomas Grenville
Publication details: 
Without date or place.
£80.00

Diplomat (1755-1846) and bibliophile, one of the British Museum's greatest benefactors. Grenville's book collection, formerly in the Museum at Bloomsbury, is now kept with George III's books in a glass tower in the new British Library at Euston. Both items in very good condition, glued to the remains of a brown-paper mount. In a somewhat shaky version of Grenville's distinctive neat hand, so perhaps late productions. The note reads 'My Dear Sir | I am very sorry that, hearing of Lady Cawdor's illness I had promised Mr Gaskell to dine with him if I did not dine with Lady C.

Engraving by Reynolds of Birmingham.

Author: 
James Bisset [ nineteenth-century illustrated list of Birmingham toy makers ]
Publication details: 
No date [1800?]; 'Publish'd, by J. Bisset, Museum Birmm. for his Magnificent Directory.'
£85.00

According to the British Library Bisset's Directory was published in 1800. Paper dimensions roughly 5 1/4 inches by 9 inches; print dimensions roughly 4 1/4 inches by 7 inches. In very good condition although somewhat grubby. Paper watermarked '<179?>9 | TMAN'. At head of plate: 'M'. At foot of plate: 'Reynolds. Sct. Birm'.

Typed Letter Signed to F. R. McQuown.

Author: 
Ian William Beresford Nye
Publication details: 
15 September 1964, on letterhead of the British Museum (Natural History), Department of Entomology.
£35.00

Entomologist (1924-), author of the monumental 'Generic names of moths of the world' (6 vols, 1975-91). The recipient is the author of several works on gardening. 1 page, 8vo. In good condition, but creased and with one closed tear and with sellotape stains at head and foot. He thanks his correspondent for the letter of 10 September enclosing a caterpillar, and compliments him on its preservation. '[I]t is in perfect condition for determination. It is very difficult to preserve the green coloration, as in life.' He identifies the specimen as a cabbage moth.

Autograph Letter Signed to Mr [?] Grinling.

Author: 
William Percival Westell
Publication details: 
22 September 1915, on letterhead Verulam, The Icknield Way, Letchworth.
£45.00

Fellow of the Linnaean Society, Naturalist and first curator of the Letchworth Museum. 2 pages, 8vo, in good condition, but with slight damp damage to one margin not affecting text. Closely written. 'I thought you would like to know that our Naturalist's 'Society' & Museum here are progressing & I believe we are doing a good educational & scientific work, even in war time. | We now have a membership of 220'. Goes into detail about grades of membership. 'We should welcome you personally & should also like someone associated with the G[reat]. N[orthern]. R[ailway].

three autograph letters signed to the artist Shirley Slocombe

Author: 
Sir Edward Maunde Thompson
Publication details: 
all three 16mo: first in pencil, 3pp, on British Museum letterhead, Mayfield, 1 November 1908; second, 2pp, Mayfield, Sussex, Xmas 1910; third, 1p, Mayfield, Sx. 29 December 1912
£45.00

Director and Principal Librarian of the British Museum (DNB). The first on dusty discoloured paper with closed tears to edges. Thanks Slocombe for having 'thought of me' and apologises for writing in pencil. Has been 'knocked over by a rather severe attack from which I am only slowly recovering'. The second and third letters are both replies to the Slocombes for seasonal expressions of goodwill and both are docketed in pencil by Slocombe. Three items,

Typed letter signed,

Author: 
Frank Carr, Director of the National Maritime Museum, to Admiral Sir Sydney Freemantle, regarding the clipper ship the Cutty Sark
Publication details: 
9 July 1957, with letterhead of the National Maritime Museum.
£150.00

4 pp, 8vo. A long letter discussing the restoration of the ship. "[...] I have always appreciated (and envied) your personal experience of sail in days when seamanship in the old sense really meant something. [...] No one is better qualified to speak with authority on the restoration of a historic sailing vessel than you are". Five points are discussed: "The position of the upper topsail yards. [...] royal yards [...] fitting sails [...] ropes [...] Maintenance."

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