ENGLISH

Three cards (bifoliums), 15 x 12.5cm, 11.5 x 18cm, 10 x 12.5, inscribed by Lamb either below image on front or on inside blanks. Images, two b & w, one faintly purple background, presumably by him, are: Madonna and child (inscribed page[3] "With love from | Henry Lamb"); Carol Singers (inside "Best wishes from | Henry Lamb") ; children and teenagers playing cards (under image on front "With love to you both | from | Henry Lam.| Xmas/48"). Image available on my website.

Postcards, c.11 x 9cm, some smudging but mainly good condition, text clear and complete. Postcard One: "Dear Mr Wynne, | Very best thanks for your valued gift: a fine & distinguished poem."; Postcard 2: "[...] | The books can be got separately & there are cheap editions of those two books any bookseller can secure for you for 2/- & 2/6 each. | I'm afraid London has had enough of my plays. My daughter's paly is not about [?] folk." Two items,

4to, 1 p. Ten lines, edges a little damaged but text clear and complete, on flimsy paper. "You are welcome to the quotation from my school-boy story - if it is worth while. I could have wished, however, that in an anthology of serious prose you had given me credit as a serious writer & chosen something more interesting. With compliments [...]"

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

2pp., 16mo. Bifolium. 21 lines of text. In good condition, on lightly-aged paper. As Doubleday has not 'sent the last', he has 'done your 3rd Cut of "glorious Apollo" from the print alone endeavouring to give the antique style as faithfully as I could.' He thanks him for his 'bit about the "archaic" term', and is certain 'that that [last word underlined] - like many other derivations from Greek & Latin roots, are most frequently used improperly[. T]he taste for hard words is certainly on the increase among all classes - from the advertising tailor upwards.'

1p., 4to. Good, on aged paper. The letter begins: 'Sir | I shew to you my last little effort which is a Copy from Vertues large Print after the Picture by Holbein now hanging in the Council Chamber of Bridewell Hospital'.( A note at the foot of the page reads: 'The above was engraved for the Purpose of Illustrating Pennant Walpole &c'. He notes that the print (not present) was 'engraved as the companion to the last Print I sent you.

1p., 4to. On blue-grey paper. In good condition, lightly-aged. He has been trying to get her a acopy of the print, but will not be able to until the following Tuesday. He hopes that this is not too late, and it will give him 'much pleasure in sending it up'.

1p., small 4to. In fair condition, on aged and lightly-stained paper. Addressed on reverse to 'Henry Howard Esq R.A. Secy | Royal Academy | Somerset House'. There is no message to Howard, the text only consisting of Bromley's titles: 'No 1 | Head of Juno, Antique, in possession of G Bankes Esqr. Engraved for the Dilettante Society - | No 2 | A Caryatides, being one of the Elgin Marbles | Engraved for the Trustees of the British Museum -'. The two engravings were nos. 945 and 946 in the Royal Academy's 'Ancient Academy' of 1833 (see Literary Gazette, 15 June 1833).

2pp., 12mo. In good condition, on lightly-aged paper. Scriven begins: 'I am afraid you will have thought I had forgotten to send the plate of Norfolk: the truth is, I decided on doing a few touches to that hand noticed by you & Mr Lackington; and although it was but a very little, I did not like to trust its going without first seeing a proof, as we can never be quite sure, on at all touching the copper, how it may come afterwards.' He ends by sending his 'best respects to Mr Lackington and the rest of your Gentlemen'.

1p., 12mo. Good, on lightly-aged paper. He reports that he shared the 'bounty' of the recipient's 'delicious present' with his brother, who has been 'confined to the house for a month'. He reports that 'Mr Watts and family are well', and hopes that 'Mr Stack is so'.

Each item is 1p., 12mo, the note being the last of the three. All written in green ink, the first on green paper, and the other two on pink paper. The three in very good condition, on lightly-aged paper. Written in an attractive, calligraphic hand. ONE: She writes that she is enclosing 'four rough designs [not present] for the woodcut frontispiece to the "Glade [sic] of Glenbella', and asks to be informed by return of the firm's choice, and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts.

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

2pp., 16mo. Bifolium. 21 lines of text. In good condition, on lightly-aged paper. As Doubleday has not 'sent the last', he has 'done your 3rd Cut of "glorious Apollo" from the print alone endeavouring to give the antique style as faithfully as I could.' He thanks him for his 'bit about the "archaic" term', and is certain 'that that [last word underlined] - like many other derivations from Greek & Latin roots, are most frequently used improperly[. T]he taste for hard words is certainly on the increase among all classes - from the advertising tailor upwards.'

1p., 4to. In good conditon, on aged paper. He begins: 'As both the pictures you bought are to be taken without the frames, I can't take upon me to displace them, without either you or the Artists were present, and more especially Mr. Daniell's, which is framed in a particular way.' Consequently he will keep the paintings, till either the recipient or artists take them away, 'and give me a proper discharge for them'. He ends with his hours of attendance.

1p., 12mo. 16 lines of text. Good, lightly-aged and laid down on a piece of grey paper. The letter begins: 'Dear Madam | I feel quite young again at the idea of the pleasure you promise me, & can assure you, with great Truth, that I shall be happy to be introduced to the young Lady you mention, with whom I am already more than half enamoured: - report speaks so highly of her manifold attractions.' He has such confidence in 'Mr. Price's skill & care as a driver' that he would like accept her offer of a seat in his gig. He ends with his 'best Complimts. to Miss Freston'.

Both letters in very good condition, neatly written out on lightly-aged paper. ONE: 2pp., 4to.

1p., 4to. In good condition, on aged paper, with wafer. Addressed on reverse to 'William Jerdan Esqr. | Brompton'. The letter reads: 'My dear Sir, | A particular friend of Vandyk [sic] has hastily drawn up the enclosed. you have made what use of them you require, perhaps our friend Watts would like to see them.'

2pp., 8vo. In good condition, on lightly aged and creased paper.

14pp., 4to. In exercise book with green printed wraps. Good, on lightly-aged and worn paper. The first page carries the title 'The Element', with the words 'Peter Levi S.J. | Nov. '57-Jan. '58' in the top right-hand corner. With occasional light corrections. The second poem ('Out of shaking') has the directions: 'No title & no commas', and the last but one ('Unfinished Elegy'), which is the longest at 4pp., is annotated: 'There ought to be three parts or possibly four.

2pp., foolscap 8vo. In fair condition, on lightly aged and worn paper. A fair copy of a twenty-eight line poem, arranged in seven four-line stanzas. Signed at end 'P. L. | December 1960.' The first stanza reads 'Rain-threaded gull-wheeling bell-clamorous air, | by wind shifted, by smoke lightly weighted, | in which sirens beautifully despair, | no monumnet crumbles uncelebrated,'. The poem ends with a simile of 'Adam when he woke: | stood for a moment as if he had been blind, | and bent suddenly over Eve, and spoke.' There is no indication that the poem has been published.

1p., 12mo. On aged and worn wove paper. Headed with the royal crest and title 'The Patriot's Hymn.' Twenty-one lines arranged in three verses, numbered I to III. Printer's slug beneath swelled short rule at foot of page. The printer is possibly the Edward Bayley stated by BBTI to have been active in Macclesfield between 1788 and 1825. The absence of the long s, and the use of wove paper, suggest nineteenth-century publication before 1830, and probably during the Regency period.

One page each, obl. 12mo, good condition. (1992) He has to disappoint her. He receives "a constant stream of requests for appearances, lectures, utorials, charity fun runs, mixed in with pleas for book reviews, the reading of unpublished manuscriipts, help[ to find an agent,help to get published, etc. Heart-touching as these requests are, I fel I really have to stick to my guns and decline if I am to get any work done for myself.

Two pages each, 12mo, good condition. [1955] He apologises for being late in telling her how enjoyable he found her luncheon party. "Whatever they were like when they arrived and at least two (I don't include myself) had been rather under the weather - your guests all went off as radiant as glow-worms." Further thanks and joyful remembrances; [1971] A shakier hand, he expresses his pleasure at his visit "except for one thing - which was seeing poor Philip afficted.

One page, 4to, good condition. "Thanks for your letter. I'm afraid that my reading days are long over - too busy - Sorry! Thanks for the invitation."

The Oxford DNB entry on Sir Walter Besant states that, 'Concerned to cultivate better understanding with North America, Besant worked in the last two years of his life for the Atlantic Union.' In fact it was Besant who founded the club in 1900, with Conan Doyle and others, with the object, according to The Times, 22 February 1900, 'of drawing together the various English-speaking peoples and strengthening the bonds of union by the formation of ties of personal friendship among individual members'.