Art and Architecture

Sister of the M.P. Francis Bingham Mildmay. 'I am afraid we shall not be able to avail ourselves of your most kind invitation to view your portraits as we leave town for good on Friday. I shall hope to see your Portrait of Lady Milton, later on.' In a letter of 9 January 1898 F. B. Mildmay refers to Slocombe's 'most kind invitation to view your portraits'.

Poet and auctioneer (d.1844). Four pages, 4to, with many changes in his hand, especially on first page (draft?), good condition. He argues that the poem he is sending Lough, "Social Day" [which he published in 1823] contains no rhymes about Lough's sculptures because he couldn't do them justice. He adds more (and more!) compliment, referring to specific works (Samson, David,Mazeppa, etc.), waxing poetical. He wishes him health "to pursue [his] exertions" and remain an ornament to his country.

On two letterheads of the West African Writers and Artists Club, 129 Camberwell Rd. Major Shepheard has suggested that correspondent might supply contacts for the Club. Describes the Club's activities and lists the names of thirteen Gold Coast students from a recent British Council exhibition, whose addresses she asks for, along with the names of others from Nigeria. Two items,

Potter. Good condition, text as follows: "Dear Roger Thornton, / I hope the enclosed will suffice. Thank you for all the nice things you say in your letter. I will try to go on a little longer making pots as well as I know how if they really give pleasure."

Antiquary (1805-1874). 2pp. ea., 8vo, damp-staining and other marksbut text still legible. He is returning some “cuts” lent by the Sussex Society and enclosing “eight blocks for the Catalogue of the Chichester Museum”. He wants his correspondent to follow up on a “cut”. In another letter, he makes suggestions for the improvement of a “proof of the Ark” and requests a book. In the other letter, he says that he is sending “the continuation ofChichester Catalogue” and someone else will send “the greater part of thewoodcut blocks”. He asks for a “cut” to be sent to the printer. 3 items,

2 pp, 12mo. "Dear Fairholt / I could not get down to you last evening, tho' I tried very much - / I will correct any circulars you may be good enough to write for Hone and get it printed and sent out can you furnish a list of archaeological assns. members & institute & the address of the F.S.A.'s - I am without the present lists of either [...] Hone is dreadfully hard up and every day is of much value to him in this affair - / Faithfully yours / Josh Durham" A strip has been torn along one of the margins very close to the text, causing negligible loss to it.

Artist (1770-1844). 2pp., 8vo, good. “Clifford Holroyd” has asked him to put his case “before the Directors of The Artists G.B.[General Benevolent] Fund” at Cooper’s instigation. He requests information about Holroyd, and concludes by saying how useful this example proves the Fund.

Collector (1760-1830). One page, 8vo, good, giving himpermission to view his pictures.

Architect (1814-1895). 1 and 2pp., 8vo, good, discussing Murray’s specifications for the St Bride’s Foundation which, initially, he has to study. He eventually decides that, subject to minor changes, he will be able to recommend them. Christian was the architect for the National Portrait Gallery and architectto the Ecclesiastical Commission.2 items,

Painter. He accepts an invitation to lunch.

Painter. 4 ALSs, 2-3pp., 8vo, good. He asks for payment for a picture so that he can pay rent arrears, reports of his progress with his pictures, “the two Dartmoor streams”. He later talks of other pictures in which Roberrts has an interest (“Mermaid”, “Kennack Bay”, “Cadgwith [Cove]” and others) and his constant need for money. 4 items,

Painter (1842-1921). 2 ANSs, 8vo, good. In the first letter, he says that he has rested and feels able to continue with the sittings. In the second, he asks if he can exhibit her portrait at the “Grosvenor”. 2 items,

British Museum ceramics expert. One page, 8vo, good. He passes comment on a blue and a yellow pot, dating them, and giving the countries of origin of the yellow pot.

Cartoonist. Four pages, 8vo, good condition. He is enthusiastic about the idea of a "Press visit to Devon" but thinks that the sort of journalist he calls the "boozy bounder" should not go. He names people who would help, including aristocrats and literary figures.

Two pages, 4to, good condition. Ref. "Stourport", Powell is sending the "sketch" of a window (enclosed), giving subjects and making suggestions ("I thought the Ark would come well"). He has worked less bcecause of the light on this than on the "war memorial". He discusses the list of "angel subjects for your side aisle windows" (present as a third typed page), apart from themes which should have a window ti themselves. He favours fewer subjects, confirms that the Old Testament goes on the North aisle, New of the South.

Cartoonist (1844-1925). Two pages, 8vo, fold marks but text good and clear. "My dear Jim,/ Broken out in a new place, have you? Well, I'll see what I can do to help. Just at present I am entirely out of my book plate, and as the block has been damaged I shall have either to get a new one made or design a new one. I hope to do this soon and will send you samples. I may have some other Ex Libris amongst my papers and if I come across any I will send them on to you./ Grace has come back from Porlock . . .". He concludes on health matters.

(1861-1945). "First Cartoonist" for Punch (1909-1945). "In reply to your enquiry I am afraid I cannot furnish you with any names of artists wanting ideas for humorous drawings. The only thing would be to apply to any artists who do such work & take your chance."

Traveller, antiquary, writer on architecture (1786-1846). One page, 8vo with added page of verse, nick not affecting text, good. He responds to a request by sending an impression of a seal [not present] "which bears the armorial ensigns of the two families which I represent" - which he expands on.

Art dealer and Member of Parliament ((1825-1910). He is writing to her because hers is the first name on a list of "ladies" who have signed a petition "in favour of the extension of the suffrage to women householders". He has presented the petition with which he sympathises.

Sculptor (1847-1922). 3 pp, 12mo, on mourning paper. "I have just returned from a short stay in the Country and find your letter of the 29th ult With regard to the proposed Statuette in silver I need scarcely say I shall have much pleasure in assisting you in any way I can. / Your letter however leaves me a little in the dark. Do you wihs me to recommend some young Sculptor for the task or would you like me to undertake it?" Signed "Thos Brock".

Irish Painter, poet, dramatist and novelist (1770-1850). He gives his correspondent the address of a "Mr Herbert" who was, according to the Post Office Directory of 1846, a professor and publisher of music.

Artist and Poet (1845-1915). Two Autograph Letters Signed, 2 pages and one page respectively, 4to, staining and damage especially to 1910 letter, but texts clear. (1904) Crane outlines his understanding of "the terms under which 'The Golden Primer' was produced" based on his co-author's (Meiklejohn) letters - three fifths of the proceeds. He quotes relevant detail from two letters,on of which discusses a cheap edition for schools. "I find a dummy copy of this with a cover design of mine & Blackwood's imprint". He thinks a re-issue in the "original form" a good idea.

Painter, President of the Royal Academy (1836-1919). Four pages, 8vo. As follows: " I never thanked you for your postcard & its information which adds greatly to the interest of the drawing. " is puzzling certainly, but so unlike "canonico" that I can hardly think it can have been an error in the transcript of that word. I have not yet discovered the other two sketches I possess . . .

Antiquarian and dramatist (1796-1880), disbound article, [12] pages, in homemade blue wraps, contents partly detached, manuscript title on front "J.R. Planche on a battlepiece in the National Gallery, July. 1878".

Essayist and dramatist (1830-1877). Portrait photograph, 3¾ inches by 2½, from the studio of Charles Watkins, 54 Chancery Lane, of a heavily-bearded Halliday looking to the right in jacket, coat and striped tie. The photographer's details and device are printed on the reverse of the mount, which is docketted "Andrew Halliday / 1873", and carries traces of glue and paper. Somewhat grubby.

Sculptor (1775-1856). Work takes precedence over "gaieties" so he cannot accept an invitation.

Sculptor (1799-1872). Clipped signature from an appeal to the Artists' Benevolent Fund. Thomas Phillips, portrait painter (1770-1845), signature is on the same piece of paper

Artist. One page, 4to. He says that he is Secretary of the Artists' General Benevolent Fund for the year 1938-9 and asks for support for those artists in difficulty in "this period of unrest & uncertainty".

Scottish natural philosopher. One page, 8vo. He finds the invitation to a lecture at the "Club" interesting but cannot manage it. He would welcome a copy of "any scientific abstract of the Lecture".

Artist. One and 2pp., 8vo. (1899) He suggests the steps she must take to arrange the loan a a "miniature table" from the Royal Academy. (1904) He gives permission for his "Diploma Picture" to be reproduced in the "Windsor Magazine", revealing its history (an illustration to Tennyson's lines in "Break, break!"). He later appears to allude to a collection of moutaineering pictures(?). 2 items,