TWENTIETH

12mo: 45 pp. In original light-green printed wraps. Very good on lightly aged paper, with some sunning to wraps. Inscribed by the author "For Mary | with love & all good wishes for Christmas and the New Year, especially the show' | Th." Besterman attempts to demonstrate that the taste for autographs, 'tres loin d'etre malsaine, est au contraire pure et bienfaisante'.

One page, 12mo. Very good, with light paperclip spotting. 'Certainly. I am glad to comply with your request.'

On strip of paper roughly two inches by eight wide. Good. Two bold signature reads 'Yours sincerely | Richard Adams'. Presumably the collector was expected to cut the autographs off individually - for wgatever purpose.

One page, 12mo. Grubby, and with traces of previous mount adhering to reverse. Small circle containing '170' in red in top left-hand corner. He is sending his autograph, 'which I could not do while at . I am glad you have read some of my stories; I presume those now in book form as "1001 Indian Nights." '

One page, 12mo. Good, on aged and lightly spotted paper, but with blank verso showing traces of previous mounting. Nine-line printed biographical cutting laid down in top left-hand corner. Reads 'Madam, In accordance with your request I enclose my autograph'.

Quarto, one page. Good, on lightly aged paper spotted by paperclip, with some creasing to extremities. 'If you will let your list down to this level, here you are'. The letterhead carries the names of the Pageant's officers with a Welsh dragon in red in the top left-hand corner. From the collection of Rev. E. J. F. Davies.

Two pages, 12mo. Very good. A formal letter written in the third person. 'Lord Liverpool presents his compliments to Mr. Barker and in answer to your [sic] letter regrets that his father has been dead two years and therefore he cannot comply with Mr. Barker's request for his signature.'

All items good. Two bearing the Society's stamp. Item One (typed note, 15 October 1931, 4to, 1 p): He is sending 'short summaries of the two lectures, in a form which I prefer to mere headings'. Item Two (autograph letter, 17 January 1932, 8vo, 1 p): He is sending 'summaries of the two lectures'. 'As you seemed in a hurry I have not waited to have them typed. I think that they are legible, but I will look at a proof if you like.' He has left it to Menzies 'to add any preliminaries or conclusions that may be necessary'.

All three items very good, and the first bearing the Society's stamp. Item One (15 June 1928, foolscap, 1 p, 12 lines): He has received a notice of a meeting by 'the Dominions and Colonies Section Committee' and asks Perry to 'please explain the position to me'. 'I am not quite clear why I am being asked as I cannot remember ever having been put on this Committee. True, Sir Humphrey Leggett suggested over a year ago that I should join the Society again as he thought I might be of some use to your Committee.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

On piece of paper roughly 2.5 x 5 cm. Laid down on leaf of cream paper, 8.5 x 12 cm, from an autograph album. In slightly faded blue ink, and with a crease to the bottom left-hand corner, affecting the lower loop of the 'J'.

Dimensions of card roughly 8 x 12 cm. Very good though lightly aged. Asking her correspondent to dinner in the following week. Note, addressed to 'Cher tres Cher Coq', on one side of 8vo grey paper. Very good, though lightly creased. She will be 'enchante de vous voir chez moi' on Wednesday [6 July] at 1 o'clock. Both items written before the Asquiths 1919 move from Cavendish Square to 44 Bedford Square. Two items,

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.

On piece of light green paper, 8 x 11 cm. Laid down on leaf of slightly larger paper, taken from an autograph album. A little grubby and ruckled. Written in green ink.

On piece of cream paper, roughly 8.5 x 12 cm, removed from an autograph album. Good, on paper with a few light marks. Bold, firm signatures in pencil, one on each side of the leaf. Two signatures,

8vo: 1 p. Good, with creasing towards right-hand margin. 'Very many thanks, my dear Williams, for your most kind congratulations. I feel that my honour is some recognition of the publishing trade & I take it as such'. Murray was created KCVO in 1932, following his publication of the ninth and final volume of the letters of Queen Victoria.

Juliette Huxley's letter is 4to: 2 pp. Good, though lightly creased and attached to the other items by a paperclip. The correspondence mainly concerns a book by Cowell's eventually published under the title 'The garden as a fine art: from antiquity to modern times' (1978). She begins by describing Mary Wellesley: 'quite a character [...] lives in a small house off St. James's Palace, and entertains by candlelight.

4to: 4 pp. Unbound bifolium. On lightly discoloured and spotted paper, lightly worn at extremities. Central horizontal fold. Gives details of eight lectures, by, successively, H. Finer ('Impressions of America'), Montague Fordham ('The Rural Problem'), R. B. Forrester ('Co-operative Marketing'), Professor R. Peers ('Can we educate the Community?'), Arthur Greenwood, M.P. ('The Present Position and Future Policy in regard to Housing'), C. S. Orwin ('Land Tenure'), Rt. Hon. [sic] Sidney Webb, M.P. ('Poor-Law Reform'), and (with the 'syllabus' covering an entire page) H. St. J. B.

On blue paper 10 x 18 cms. Good, with trace of previous white paper mount on reverse. Printed receipt, filled in in manuscript. Reads 'No. [32] 5, VIGO STREET, | W.1. | [June 2nd 1937] | Received a DONATION of [One Guinea] | from [The Misses Ruck] | for the ARTISTS' GENERAL BENEVOLENT INSTITUTION. | £[1] : [1] | [-] | [next word deleted] Secretary | [next two lines cyclostyled in purple ink] most gratefully | Laura Knight'.

Good, in felt-tip pen on piece of blue paper, roughly 8 x 13 cms, with the slightest discoloration at extremities.

4to: 3 pp. Text clear and entire on creased, chipped airmail paper. A chatty, vivacious and entertaining letter, casting light on the state of mind of an English colonial wife. Thanks her for her 'kind remarks about my stories.

8vo: 8 pp. Stapled and unbound. In original grey printed wraps with rusted staples. Grubby and dogeared. Signed ('L. Conrad Hartley') presentation inscription dated 31 May 1915. No copy of the offprint of this short story on COPAC.

8vo: 11 pp. Unbound and stapled. In original beige printed wraps. Grubby and dogeared, with rusted staples. Signed (L. Conrad Hartley') presentation, dated 31 May 1915. No copy of the offprint off this short story on COPAC.

Octavo: 8 pp. Unbound, stapled pamphlet of six leaves. Dogeared, with rusted staples and with horizontal band of discoloration and two vertical closed tears (2 cm and 1 cm) at head.

Sizes range from quarto (nine items) to 12mo (two items). Very good. Subjects include a request for 'a photograph of the winning design for the petrol filling station', the award of a Hyde Travelling Scholarship ('Mr. Mitchell appears to have so greatly distinguished himself'), 'Mr. Bossom's suggestions for the wording and particulars for the Proscenium opening for Cinema', the drafting of a reply to Morley Horder's comments ('he errs when he declares the screen is not of the period as I think only a small section of it was added by Mr.

The collection is in good condition, with very occasional minor creasing, staining and loss. Majority of items quarto. Milne was a leading Fellow of the Society, a Chairman of Council in 1959-61 and Vice-President. The collection provides a valuable insight into the day-to-day workings of the Society, from the first letter discussing the R.I.B.A., and whether the Society might set up 'a somewhat similar organisation with similar prestige could be built up for industrial artists', to the last letter commending G. C. H.

On one side of the card. Dimensions, 8.5 x 11 cms. Very good. Neat inscription reading 'For Charles Wilson | with Alec Waugh's best wishes | July. 31. 1948 /.'

One one side of a piece of laid paper, 26.5 x 21 cms. Aged and creased, with chipping to extremities and staining on reverse from repair to one of two closed tears. Thirty-six lines, with facsimile of Housman's signature at foot. An appeal for 'money for the Library - your Library'. Somewhat poignant, considering the present neglected state of the British library service. '[...] The question is - do you want to give money to your Library? [...] But, for my own part, I ask - why, why Libraries? What are they for? What there do you read?

One page, quarto. On aged and creased paper. Letterhead illustrated with engraving of the paper's headquarters. Thanks him for the copy of Rowney's 'Artists' Almanac'. 'Like yourselves, we are an old family firm and as such have always taken a live interest in the Arts.' Endorses the Empire Art Council, feeling that '[t]here is a great deal that can be done in the exchange of art exhibitions, etc., between the various parts of the Empire'. Docketed with London address on reverse.