PALMISTRY

3pp., 8vo. Autograph postscript of nine lines on otherwise-blank reverse of second leaf. On aged and worn paper, with holing to one corner from stud which attached the leaves together. He was pleased to hear from Mansel, and understands from his letter that 'notwithstanding your disabilities you manage to put in a deal of work'. He continues: 'I shall be particularly interested in your plays, which are more in my line than music. He quotes Mansel's 'notes on the print of my hand', which he finds 'particularly interesting, in view of the fact that they were made more than 11 years ago'.

Landscape 12mo. 17 lines. Text clear and complete. Fair, on aged and lightly-creased paper. For a graphologist Miss Baughan's handwriting is curiously angular and crabbed. Explaining that 'these together with some 2 dozen others were overlooked in the July packet - at least this was how it was - each week a packet is sent & I do the packets in rotation of their dates'. She is 'really now doing the September studies'. Continues in same vein. Baughan published a number of works on what would now be called 'new age' subjects in the 1880s.