DRAMA

Dramatist and actor (1834-84). One page, 12mo. "My dear Simpson: / I am getting the dates of the performances and sums paid and in a day or two will call on you and fix up the affair." Traces of glue and paper to the blank reverse.

English comic actor (1795-1842) and manager of the Adelphi Theatre. 2 pp, 4to. Eccentric handwriting, of uncertain decipherment. "We must trouble you by return of Post to send us up the last tune but one & the finale to the Pantomime / Make Puck if you please come out of the Fairy Mounds tell Harlequin & Columbine the Chace is done. Then loves rewards and change to the last tune the Fairy Temple - Then dance & a short finale - one verse <?> & Chorus - / [...] / I hope all goes well with you. We are all alive - Let us have it by return of post".

English actor-manager (1837-1910). 4 pp, 12mo. Interesting letter in which he declines a play. "Its an awful shame to have kept your mss. so long, but I think I told you, I was too deep in promises &c. to give immediate attention! / If domestic Drama were popular now, I should not hesitate to play yours, it is full of pure incident and effective situations, and the dialogue is clear and interesting. [...] In my opinion this is not big & bold enough for "Drama" and not "elegant" enough or adapted to "up to date" models. [...]" Somewhat grubby.

Theatre critic (1891-1974). The first, one page, 12mo, with letterhead of the Garrick Club, in stamped envelope addressed in autograph. "This comes of believing what you are told by Past Presidents of the O. U. D. C. "Julius Caesar" might shuffle through as history, but you have one on Romeo." The second, 6 October 1942, on letterhead of The Observer, one page, 8vo, in stamped typed envelope. "Many thanks for your letter. I was relying on Parker's 'Who's Who in the Theatre' which made no mention of 'Queen Mary'. I shall tell him to get this right.

Dramatist (1849-1904). One page, 12mo, in stamped envelope addressed in autograph. "I am very much obliged for the ticket, and will certainly go. I am so glad you have got such a good chance, and I will "signify the same" (i.e. my gladness) "in the usual way".

English actor-manager (1844-1912). On two pieces of paper. 2 pp, 12mo and one page, 8vo, the second piece with the letterhead of Terry's Theatre in the Strand. "Here again in Harness Thank Goodness - Royalty Glasgow next week then Brum where I hope to see you. Cannot tell you where I shall stay yet as my People are away in Wales did you see the enclosed / Kind regards to all yours / from yours / E. Terry". Postscript on second piece of paper: "P.S.

English actor-manager (1837-1910). "Dear Miss Tennyson, / "Reading a play" is very actable, and would suit an actor like Chas. Collett, & important & voluble, & there are several who would make a success of it. But I'm afraid I am not one of them. Sorry to have kept the MS. so long. [...] MS. [not present] returned herewith registered."

English comic actor and dramatist (1802-79). 2 pp, 12mo. Concerning the staging of a new play. "Yates has the first & 2d acts complete - It must be in 4 parts / I am now on the 4th.: when can I have the sheets & illustrations of the entire romance?" Details of the first two acts follow. "When I get your work complete a very few days will complete me, - I leave town on the 20th of this month for a fortnight and am anxious to (indeed I must) finish before I start / Rodwell is composing "Jolly Rose" for Bedford to sing at Woods party." Somewhat grubby, with browning in the margins.

English actor-manager (1837-1919), knighted in 1902. Of difficult decipherment, due to Wyndham's truly diabolical handwriting. "As you so kindly said you would both come & spend a little time with me at St Moritz, it may be as well to tell you that I leave town tomorrow & shall arrive at my destination 2 weeks from now. / A line to the Hotel St Moritz after 2 weeks [...] so that I may secure you comfortable quarters". Creased, and with closed tear to the edge of both leaves.

English theatre manager (1881-1971). One page, 4to. He thanks him for his note about "A Woman of No Importance". In an apparent reference to a letter written by him to The Sunday Times about that newspaper's drama critic James Agate (1877-1947) he writes: "My letter was somewhat emasculated, as not only was a sentence left out in the middle, but the concluding sentence ran as follows: - / "Mr. Agate will never cease being provocative but his influence will necessarily diminish in proportion to the contempt he feels for his job.

Actor. The first, 14 December 1924, Chicago, 2 pp, 8vo. He was delighted to receive her letter, and returns its Christmas greetings. "I know you will be having a splendid and happy time, with all your charming Kids around you, and dear old Jack playing Santa Claus. I have been out here for the last four weeks - the finish of our tour in "The Outsider" - for we return to New York next Sunday and disband.

Actor-manager (1803-78) at the Adelphi and Covent Garden Theatres.The first two, dinner invitations addressed to "My dear Pal", dated 22 January 1874 and 2 May 1875, both with letterhead 59 Belgrave Road, South Belgravia. The first, one page, cropped, 16mo., the second, one page, 12mo. The third, to "My dear Lane", one page, 12mo. " "One hour" is played for you all next week. What would you have more?" All three show traces of mounts. Three items,

English actor (1814-1878). The first, 2 pp, 12mo, to Admiral Hornly. "The enclosed ticket is very much at your service - Had you been up a few weeks ago, I think I should have cut a better figure in Mrs. Hornley's eyes, than I can in the stupid part I am now acting - [...]". (According to the DNB at this time Wigan was playing Rittmeister Harfthal in Robertson's "Dreams".) The second, to Miss [?] Paterson, 3 pp, 12mo. "I have had the pleasure to send the Admiral a box for the Gaiety for Monday next.

English actor-manager (1811-68), the son of Edmund Kean. A piece of paper, 2½ by 4½ inches, mounted on a torn piece of grey paper. The note, written in pencil, gives directions: "Charles Kean / Key-Dell / Horndean / Hants / 9 miles from the Fareham Station on the Gosport line". Docketed in pencil "Kean's hand".

English actor (1814-1878). 2 pp, 8vo, neatly mounted. "James Brown has referred me to you for a character as a general in-door servant - I should be much obliged if you would let me know your experience of his abilities, and of his character for honesty & diligence and sobriety -"

Dion Boucicault the younger. Actor-manager (1859-1929), son of the actor and dramatist. One page, 8vo. "Dear Mrs Hartland, / I wonder if you could see me here at 2-45 on Friday when I will give you my decision. / Yours very truly, / Dion: Boucicault." Slight creasing to two corners.

English actor (1814-1878). One page, 12mo. "My dear Sir, / By all means send me a ticket of our dinner. / Yours truly / Alfred Wigan". The reverse of the second leaf, which shows some traces of paper and glue, is docketed in pencil, "One of the only gentlemen on the stage in / "Still Waters run deep" / by Tom Taylor at Olympic / 1855 / as Simon Strap. / in "An Ill Wind that blows nobody Good" at the Adelphi / made speeches for the Free Traders at the Chrystal [sic] Palace". This last fact is not mentioned in Wigan's DNB entry.

English actor (1846-1909). "Dr Dr. Davis / I have not sufficient time at my disposal to tell you of interview with Mrs. & your son her solution - I have settled to take her house & have paid £50 as deposit. I think you will agree with me that the house is really a much better one than 15. I cannot sufficently thank you Dr. Davis for your - Please accept renewed thanks". Negligible traces of previous mounting.

English actor-manager (1837-1919), knighted in 1902. One page, 8vo. "Dear Mr / Thanks for enclosure & letter. / Yrs sincly / Charles Wyndham". Grubby, ruckled, and with traces of previous mounting on blank reverse.

Dion Boucicault the younger. Actor-manager (1859-1929), son of the actor and dramatist. Formal acceptance of an invitation in the third person. "Mr Boucicault accepts with pleasure Mr. & Mrs George 's invitation for Tuesday July 4." Paper and glue from previous mounting on blank reverese.

English actress (1854-1945). 2 pp, 12mo. "All my recitations are favorites just when I am reciting them - so the question you ask me is rather difficult to answer. - I love my work, so each bit of it has its special place in my heart. Sometimes - it may be a sad one or a merry one that I feel most devoted to. - The audiences help you at these moments & make special favorites for a few hours."

English actor (1846-1909). One page, 8vo. "Dear Sir / If I can get original Cast I shall do a scene from 'Drink" / Yours faithfully / Charles Warner". Warner's most memorable part was Coupeau in 'Drink' (1879), an adaptation of Zola's 'L'Assommoir'. Not in the best of condition: creased, dusty and torn.

Actor and producer (1880-1957). 2 pp, 4to. He thanks her for taking an interest in his work. "Yes - you are right I have a wonderful mother. / Wasn't it dreadful on Saturday afternoon! I thought it brave of you to sit it through." Somewhat grubby and creased.

English dramatist and actor-manager (1871-1949), knighted in 1935. One page, 8vo. "Just to say au revoir I hope it will not be long before we meet again & until then - the best of good luck / Yours / Seymour Hicks / Ever so many thanks for your jolly wire - / Bless you". Piece of adhesive tape stuck along head of recto.

Essayist and dramatist (1830-1877). Portrait photograph, 3¾ inches by 2½, from the studio of Charles Watkins, 54 Chancery Lane, of a heavily-bearded Halliday looking to the right in jacket, coat and striped tie. The photographer's details and device are printed on the reverse of the mount, which is docketted "Andrew Halliday / 1873", and carries traces of glue and paper. Somewhat grubby.

[Real name Arthur Cecil Blunt] English actor (1843-1896). 2 pp, 12mo. "Dear Mrs Murray / I also was sorry not to put in an appearance on Sunday but I had a little work as you know to look over & after Douglas left me in the afternoon so many "casuals" dropped in that I could not well get out." He will have to give up the dinner party he had planned for Sunday, or postpone it till she returns from abroad. "I shall myself go I think to Brighton next Sunday as I can get two days of "the sea the sea the open sea!" " The letter is signed "Arthur Blunt".

English actor-manager (1862-1951), apparently written to an "angel". "Thank you for your letter. / It is a humorous sketch for 3 or four people lasting 23 minutes with lots of 'Punch' & a wonderfully funny part wh. whould show me off. My offer runs to Easter and all that is if only I can find what they want in advance. Voila!" Negligible traces of previous mounting on blank reverse.

English actor (died 1914). "Dear Sir / My height is five feet three & a half inches in my half hose". Negligible traces of previous mounting to the blank reverse.

English actor-manager (1862-1951). The first, April 29, Rivoli, with letterhead of The Playhouse, Northumberland Avenue, one page, 8vo. "Dear Miss Trevelyan, / Very many congratulations. You are absolutely 'sweet' in the piece. It is so many years since we met. Your performance is beautiful. I wished to come round & see you but didnt like to intrude." The second, 1 September [no year], with letterhead 26 Cleveland Gardens, Lancaster Gate, 2 pp, 12mo. Affectionate letter to "Dear little Manageress" (Trevelyan was for a time co-manageress of the Vaudeville Theatre).

One page, 12mo, written in purple ink on grey paper. "My dear Sir / Could you lunch with me at 2. on Tuesday at my rooms in Midland Hotel St. Pancras? / Yrs always / E. A. Sothern". With traces of previous mounting to the reverse.